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Art, artists, and artistry in science fiction.

机译:科幻小说中的艺术,艺术家和艺术性。

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摘要

Due to the obvious scientific orientation of science fiction and the presumed sub-literary nature of most of its narratives, criticism of the genre has primarily concentrated on such obvious themes as progress, technology, and science. Little criticism discusses the significance of fictional arts and artists to science fiction, and much work ignores the artistry with which many science fiction authors craft their works. When reading science fiction while alert to art and artists, however, we find myriad characters who create or experience works of art, from paintings, poems, and music to mechanized butterflies, synthesized disasters, and fabricated realities. Fictionally represented art and artists are as central to science fiction as are science and scientists.;What roles do art, artists, and artistry play in science fiction? What needs do they fill for authors and readers? My study begins to answer these questions by discussing two linked aspects of science fiction: the fictional portrayals of arts and artists, specifically the relations between art and science, art and politics, and art and economics, and the interplay between literary and scientific rhetorics as they create believable narrative worlds. This work explores themes about art and artists in a variety of science fictions and so attempts to define the ideology of the aesthetic in science fiction. The thesis also examines other genres (e.g., fantasy, horror, and children's literature) and media (e.g., poetry, film, and comic book) in order to illustrate the wide applicability of its arguments and the usefulness of science fiction for narrative inquiry.;My examination of science fiction shows that as object and subject art is vital to the genre so often viewed as scientific and that as a result science fiction crucially unites the humanities and sciences in our increasingly technological world. The ideology of the aesthetic enables science fiction authors and readers to reaffirm both their shared fictional enterprise and the unity of different human activities. Science fiction urges us to cultivate the most balanced and productive unions between art and science, politics, and economics and warns that without such unions our civilization will become a dystopia.
机译:由于科幻小说具有明显的科学取向,并且大多数叙事都具有亚文学性质,因此对该类型的批评主要集中在进步,技术和科学等主题上。很少有人批评讨论小说艺术和艺术家对科幻小说的重要性,而许多作品却忽略了许多科幻小说作者创作作品的技巧。但是,在阅读科幻小说时,要引起艺术和艺术家的警觉,我们会发现无数的人物在创作或体验艺术品,从绘画,诗歌和音乐到机械化的蝴蝶,人造灾害和虚构的现实。虚构的艺术和艺术家在科幻小说中的地位与科学和科学家一样重要。;艺术,艺术家和艺术性在科幻小说中扮演什么角色?它们满足作者和读者什么需求?我的研究开始通过讨论科幻小说的两个相关方面来回答这些问题:艺术和艺术家的小说刻画,特别是艺术与科学,艺术与政治,艺术与经济学之间的关系,以及文学与科学修辞学之间的相互作用。他们创造了可信的叙事世界。这项工作探索了各种科幻小说中有关艺术和艺术家的主题,因此试图定义科幻小说中美学的意识形态。本文还研究了其他类型(例如,幻想,恐怖和儿童文学)和媒体(例如,诗歌,电影和漫画书),以说明其论点的广泛适用性以及科幻小说对叙事性探究的有用性。 ;我对科幻小说的研究表明,作为对象和主题艺术对于通常被视为科学的流派至关重要,因此科幻小说至关重要地将人文与科学融合在了我们日趋技术化的世界中。审美意识形态使科幻小说的作者和读者能够重申他们共同的小说事业和不同人类活动的统一性。科幻小说敦促我们在艺术与科学,政治和经济学之间建立最平衡,最有生产力的结合,并警告说,如果没有这种结合,我们的文明将成为反乌托邦。

著录项

  • 作者

    Peters, Jefferson Marlowe.;

  • 作者单位

    University of Michigan.;

  • 授予单位 University of Michigan.;
  • 学科 Literature Modern.
  • 学位 Ph.D.
  • 年度 1992
  • 页码 290 p.
  • 总页数 290
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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