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Mussorgsky's 'Pictures at an Exhibition': An analytical and performance study.

机译:Mussorgsky的“展览图片”:分析和性能研究。

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摘要

Among the piano works of Modest Mussorgsky, the suite "Pictures at an Exhibition," written in 1874, is of particular importance. It was composed after Mussorgsky saw the paintings and drawings of his friend Victor Hartmann. The composer put into music the various impressions he received from Hartmann's pictures. This piano suite represents one of numerous masterpieces among Russian piano works of the nineteenth century.;The purpose of this document is two-fold: first, to present an analysis of the piano suite "Pictures at an Exhibition," and second, to suggest several technical solutions to problems I encountered while preparing the work for public performance. The suite contains an introduction and 10 different character pieces which are connected by four interludes. In the analysis, I will relate the music to the picture, clarifying both subtle and obvious connection between the music and the pictorial image. The goal of my analysis is to perform the work with more accurate interpretation and understanding. The suite requires highly demanding pianistic technique due to its dramatic and expressive contrasts in several sections. I plan to provide suggestions for performance of these sections in Chapter Four.;The document is organized into four chapters: Chapter one introduces Mussorgsky's personal background and his achievements in composition, and Hartmann's personal background and his significance as an architect, painter, and stage designer. Chapter two contains the compositional backgrounds of "Pictures at an Exhibition," including the original piano version of Mussorgsky, and the orchestrated version by Ravel.;Chapter three will discuss sections from the suite, including the literary references of the "Pictures," analysis of the music in terms of structural, melodic, harmonic, and rhythmic characteristics. Chapter four will discuss some of the technical problems which I encountered with the suite during preparation for public performance.
机译:在莫斯特·穆斯堡斯基的钢琴作品中,1874年创作的“展览图片集”特别重要。它是在Mussorgsky看到他的朋友Victor Hartmann的绘画和素描之后创作的。作曲家将他从哈特曼的照片中获得的各种印象融入了音乐。该钢琴套件代表了19世纪俄罗斯钢琴作品中的众多杰作之一。该文档的目的有两个:首先,对钢琴套件“展览中的图片”进行分析,其次,提出建议。在准备公开演出时遇到的一些技术问题解决方案。该套件包含一个简介和十个不同的角色片段,这些角色片段通过四个插曲相连。在分析中,我将音乐与图片相关联,以阐明音乐与图片之间的微妙而明显的联系。我分析的目的是对工作进行更准确的解释和理解。该套件由于在多个部分中具有戏剧性和表现力的对比,因此要求非常严格的钢琴演奏技巧。我计划在第四章中为这些部分的性能提供建议。该文档分为四个章节:第一章介绍了Mussorgsky的个人背景和他的构图成就,以及Hartmann的个人背景以及他作为建筑师,画家和舞台的意义。设计师。第二章包含“展览图片”的构成背景,包括原始钢琴版本的Mussorgsky和Ravel精心策划的版本。第三章将讨论套件中的各个部分,包括“图片”的文学参考,分析。音乐在结构,旋律,和声和节奏方面的表现。第四章将讨论在准备公开演出时我在套件中遇到的一些技术问题。

著录项

  • 作者

    Lee, Chen-Tien.;

  • 作者单位

    The Ohio State University.;

  • 授予单位 The Ohio State University.;
  • 学科 Music.;Art history.;Biographies.
  • 学位 D.M.A.
  • 年度 1993
  • 页码 123 p.
  • 总页数 123
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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