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Die Dichterische Darstellung des Todes in Goethes Werken.

机译:歌德作品中死亡的诗意表现。

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摘要

This thesis deals with the representation of death in Goethe's works.;The location of death, by its degree of separation from nature, corresponds to the character's relationship to the divine. Symbolism is attached to the positioning of death inside or outside man-made structures.;With few exceptions, the character who finds death is sensitive; this is an important principle that begins in Goethe's works during the Age of Sentimentalism and carries through Storm and Stress end the period of Classicism. Characters who succumbing to their emotions fail to balance their life or meet their individual and personal needs.;The spiritual attitude of these figures towards death is explored; metaphysical and undefined personal views are common, and few characters portray a religious conviction that coincides with Christian beliefs.;Goethe's understanding of time is cyclical, rather than linear in the traditional Christian concept. This shapes his use of symbolism: the time of death conveys the spiritual state of each character.;Participation in society is represented as an uplifting experience, and those who die range in character from the individualist to the impressionable. (Abstract shortened by UMI.).
机译:本论文主要研究歌德作品中死亡的表现形式。死亡的位置,根据其与自然的分离程度,与人物与神的关系相对应。象征主义与人造结构内部或外部的死亡定位有关。几乎没有例外,发现死亡的人物很敏感;这是一条重要的原则,始于歌德在多愁善感时代的作品,并经历了风暴和压力,结束了古典主义时期。屈服于情感的角色无法平衡生活或满足其个人和个人需求。;探索了这些人物对死亡的精神态度;形而上的和不确定的个人观点是普遍的,很少有人物描绘出与基督教信仰相吻合的宗教信仰。歌德对时间的理解是周期性的,而不是传统基督教观念中的线性。这塑造了他对象征主义的运用:死亡的时间传达了每个角色的精神状态。参加社会代表着一种振奋人心的经历,而那些死于个性的人则从个人主义者到印象深刻的人。 (摘要由UMI缩短。)。

著录项

  • 作者

    Langhorst, Michael Rene.;

  • 作者单位

    University of Alberta (Canada).;

  • 授予单位 University of Alberta (Canada).;
  • 学科 Literature Germanic.
  • 学位 M.A.
  • 年度 1993
  • 页码 169 p.
  • 总页数 169
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 老年病学;
  • 关键词

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