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Herald or hydra? English cultural studies in the post-1945 World-System.

机译:先驱还是九头蛇? 1945年后世界体系中的英语文化研究。

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摘要

"Cultural Studies" as an academic phenomenon has shown extraordinary growth expanding to universities throughout the English-speaking, settler colonies of Great Britain since first finding an institutional home in England at the University of Birmingham in 1963. Either departments bearing the new name were brought into being or specialties within existing departments declared themselves.;The development of work at the Centre for Contemporary Cultural Studies--its characteristic national mode and concern for theory, and the substantive areas of media studies, subcultures, ethnography, the working class, and race and gender--is traced in Part II. The major efforts are allowed to "speak for themselves", then the shape that cultural studies took in its migrations is examined.;Part III is concerned with the trajectory of Cultural Studies through conjunctural space as the long-term structures of knowledge/power begin to break-up with the general onset of systemic fluctuations announcing the eminent demise and transformation of the Modern World-System. The post-1945 world (and the world of knowledge) ordered by the East-West competition of blocs/ideologies gives way to a world structured by the North-South clash of identities/subjectivities in which even science, guarantor of truth and summit of the disciplinary hierarchy, begins to question its own position from within.;This study situates the early success of cultural studies in the short-term conjuncture of the First (British) New Left which advanced "culture" as an explanatory category in the midst of the upheavals of the mid-1950's as both mainstream and Marxist frameworks proved inadequate, and secondly, in the longer-term trend (since the controversy occasioned by the French Revolution) of conservative social criticism on the part of the literary intelligentsia. Part I is concerned with the determinate conditions of the emergence of the collection of political/intellectual issues which came to be known as cultural studies as a function of social time, that is the post-1945 Kondratieff expansion and the cycle of British hegemony and its passage to the United States.
机译:自从1963年在英国伯明翰大学首次在英格兰建立机构所在地以来,“文化研究”作为一种学术现象已经显示出惊人的增长,并扩展到整个英国以英语为母语的殖民地殖民地的大学。在当代文化研究中心工作的发展-它具有特色的国家模式和对理论的关注,以及媒体研究,亚文化,人种志,工人阶级的实质性领域,以及种族和性别-在第二部分中进行了追溯。允许主要的努力“为自己说话”,然后研究文化研究在其迁移过程中的形式。第三部分是随着知识/权力的长期结构开始,通过结语空间研究文化研究的轨迹。打破了系统性波动的大爆发,宣布了现代世界体系的消亡和变革。 1945年以后的世界(和知识世界)由东西方的种族/意识形态竞争所命令,由一个由身份/主观的南北冲突构成的世界,其中甚至包括科学,真理的保证者和最高峰。这项研究将文化研究的早期成功定位于第一(英国)新左派的短期结合中,该研究在“新”左派中将“文化”作为一种解释类别进行了推广。 1950年代中期作为主流框架和马克思主义框架的剧变被证明是不充分的;其次,在长期的趋势中(由于法国大革命引起争议),文学知识分子的保守社会批判。第一部分关注的是政治/知识问题集合的确定条件,这些问题后来被称为文化研究,是社会时间的函数,这就是1945年后的康德拉季耶夫扩张以及英国霸权及其影响的周期。进入美国。

著录项

  • 作者

    Lee, Richard.;

  • 作者单位

    State University of New York at Binghamton.;

  • 授予单位 State University of New York at Binghamton.;
  • 学科 Art History.;Sociology General.;Literature English.
  • 学位 Ph.D.
  • 年度 1995
  • 页码 551 p.
  • 总页数 551
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 水产、渔业;
  • 关键词

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