This Master's Degree Project is a study of artefacts associated with the process of death, and product meaning in industrial design. The aims of the project are to provide an understanding of human-product interaction, and to translate elements of theory into design. To this end, the project is documented in three main parts: context (research and theory); transition (design process); and intervention (design).;The research component of the project considers artefacts of death in an historic and current context, with a focus on local (Canadian) interest. Consumer artefacts include ceremonial, ritual and funereal objects, objects for the containment and disposal of human remains, and objects intended as symbolic remembrances of the deceased. These artefacts are considered for both their functional and symbolic-expressive content.;An investigation into the relationship between industrial design and artefacts of death reveals rare precedents of association, and identifies issues of personalization in the mass produced. Concepts of product meaning are discussed in the context of industrial design, and a theory specific to death artefact and process is proposed. Current trends and issues relevant to death are discussed in terms of their influence on the design of artefact and process.;Design activity is documented as a process of transition, from theory, through a series of considerations, to the isolation of variables for a final design proposal. Key elements of record, memory, tribute, ritual and healing are incorporated into the design of a personal memorial. The personal memorial is a portable artefact designed for customized reproduction and distribution to bereaved family and friends of the deceased. Through a series of design elements, it offers opportunity for participation in both its creation and use, and variable degrees of privacy and disclosure through flexible configurations.
展开▼
