This study unravels specific elements that, in part, comprise the reflective process that has allowed me to initiate and sustain the production of photographic work. These are: the Self as an exploratory vehicle and producer of art work; the veil of memory utilized in producing such work; and aspects of the myth of Narcissus as it pertains to the creation of art work that embodies the reflective stance.;In conjunction with the autobiographical-narrative approach to the topics above, Marcel Proust's process (used to produce A la recherche du temps perdu, (1913-1922)) is explored through Julia Kristeva's insight. In such, aspects of Proust's process and reflective memory as a creative vehicle are discussed as they inform my process. In addition, initiating and maintaining a personal, reflective process for the student in the adult classroom is addressed.;An installation consisting of four, polytych works encompassing the reflective stance delineated in this thesis was exhibited at the Belgo Art Center Building, Montreal, Quebec, from Nov. 2 to the 29, 1998.
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