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Narrative temporality and the aspect of time in Franz Kafka's short fiction.

机译:弗朗兹·卡夫卡(Franz Kafka)的短篇小说中的叙事时间性和时间方面。

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摘要

Time figures prominently as an implicit and, to a lesser extent, explicit theme in much of Franz Kafka's short fiction. In Kafka, the concept of time cannot be defined merely as clock time. Rather, Kafka's understanding of temporality encompasses a broad range of significations, including time as measurement, time as a regulator of social life, time as history, time as eternal or transitory, and time as the limit of human existence. The contours of time are variably contracted and dilated in the texts, both in respect to the characters' experience of time and to the textual representation and function of time in the fictional narrative structure.;I divide the subject of time into three basic categories in my interpretation of the short fiction: time in narratological, structural and metaphysical terms. The three chapters of the dissertation reflect these three categorical divisions. The first chapter, "The Arrow of Time: Time in Narratological. Terms," encompasses the narratological concepts of narrated time versus the time of narration, the linearity of the narrative event, and narrative grammar and tense. Chapter 2, "Das Zeitgerust: Time in Structural Terms," examines the temporal configuration of the fictional text as a structure with a roughly definable beginning, middle and end. The question of the narrative's chronology versus the causality of the plot is fundamental here, as is the issue of gaps in chronology and causality. The final chapter of the study, "Time in Metaphysical Terms," is concerned with an analysis of Kafkan temporality in relation to the human measurement of time, the 'no time and no place' of Kafka's fictional settings, and the conception of death as the limit of human experience. The notion that time in Kafka is frequently presented as an ungraspable lacuna is central to this chapter.;The principal works under consideration in the dissertation are Das Urteil, Die Verwandlung, the Jager texts, Ein Landarzt, Beim Bau der chinesischen Mauer, Ein alltaglicher Vorfall and Ein Hungerkunstler.
机译:在弗朗兹·卡夫卡(Franz Kafka)的短篇小说中,时间显然是隐性主题,在较小程度上是显性主题。在Kafka中,时间的概念不能仅仅定义为时钟时间。相反,卡夫卡对时间性的理解涵盖了广泛的含义,包括以时间为度量,以时间为社会生活调节者,以时间为历史,以时间为永恒或短暂,以时间为人类生存的极限。时间的轮廓在文本中是可变地收缩和膨胀的,既涉及角色的时间体验,也涉及虚构叙事结构中时间的文本表示和时间功能。我对短篇小说的解释:叙事,结构和形而上学的时间。论文的三章反映了这三个类别的划分。第一章“时间的箭头:叙事时间中的时间。”涵盖了叙事时间与叙事时间的叙事概念,叙事事件的线性,叙事语法和时态。第2章,“时代性:结构术语中的时间”,对虚构文本的时间配置进行了考察,该虚构文本是具有大致可定义的开始,中间和结尾的结构。叙事的时间顺序与情节因果关系的问题在这里至关重要,在时间顺序和因果关系方面的差距也是如此。研究的最后一章“形而上学的时间”,涉及对卡夫坎时间性的分析,涉及时间对人类的测量,卡夫卡的虚构环境的“无时间无处”以及死亡作为死亡的概念。人类经验的极限。卡夫卡的时间经常被认为是无法理解的空白是本章的重点。论文中正在考虑的主要著作是Das Urteil,Die Verwandlung,Jager文本,Ein Landarzt,Beim Bau der chinesischen Mauer,Ein alltaglicher Vorfall和Ein Hungerkunstler。

著录项

  • 作者

    Swanson, Christina Marie.;

  • 作者单位

    University of California, Irvine.;

  • 授予单位 University of California, Irvine.;
  • 学科 Literature Germanic.
  • 学位 Ph.D.
  • 年度 1999
  • 页码 207 p.
  • 总页数 207
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:47:57

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