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The mouse that Walt built: Contemporary contextual readings of Disney World.

机译:沃尔特制造的鼠标:迪士尼世界的当代语境解读。

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摘要

This dissertation addresses the Disney phenomenon as both a cultural producer and stimulant. The introduction offers a review of the pertinent Disney literature, a brief examination of postmodernism and simulacra as related to Disney, and a consideration of the highly successful Disney formula for creating and marketing its products. In the subsequent chapters, through a series of four related investigations, Disney World emerges as a prominent force in contemporary---most especially American---society. Through comparison to the medieval pilgrimage site of Santiago de Compostela, as well as pilgrimage centers in general, it becomes clear that Disney is a contemporary pilgrimage place that extends at least a quasi-religious experience, and potentially, as I argue, a fully religious one. The metaphor of the Garden of Eden is also specifically manifested at Disney World. Other paradisal constructs---literary, landscape painting, ideal cities, gardens, and outsider environments---provide us with clues about the theme park's Edenic qualities. Furthermore, our age witnesses the confluence of Disney World and Las Vegas as entertainment cities designed to induce hypercommercialism through constructed fantasy spaces. The boundaries between both have been blurred, forcing the question: Is Vegas more like Disney, is Disney more like Vegas, or are they a conglomeration representing what the whole of America is becoming? Finally, I examine the direct connections between Disney World (focusing on Epcot Center) and World's Fairs. Here technological promise and future aspirations are played out side by side with the troubling realities attendant to colonial imperialism, and our present fragmentation of the world via the global village's imagery. In conclusion, I consider---and to an extent counter---charges against Disney as an imperialist and monopolized transnational corporation that exports mediocre taste. Although I can only conjecture about the livelihood of Disney World, its indicators point to a sustaining bright future.
机译:本文既作为文化生产者又作为兴奋剂来论述迪斯尼现象。引言提供了有关迪斯尼相关文学的回顾,简要回顾了与迪斯尼相关的后现代主义和模仿主义,并考虑了非常成功的迪斯尼公式,以创造和销售其产品。在随后的章节中,通过一系列四项相关的调查,迪斯尼世界成为现代社会(尤其是美国社会)的一支重要力量。通过与圣地亚哥德孔波斯特拉的中世纪朝圣地以及一般的朝圣中心进行比较,可以清楚地看出迪士尼是当代朝圣地,至少延伸了准宗教经历,而且,正如我认为的那样,这可能是完全宗教的一。伊甸园的隐喻也特别体现在迪士尼世界上。其他天堂般的建筑-文学,山水画,理想的城市,花园和外界环境-为我们提供了有关主题公园Edenic品质的线索。此外,我们的时代见证了迪斯尼世界和拉斯维加斯的融合,它们是娱乐城市,旨在通过建造的幻想空间引发超商业主义。两者之间的界限已经模糊,提出了一个问题:维加斯更像迪斯尼,​​迪斯尼更像维加斯,还是它们代表了整个美国正在成为的集团?最后,我研究了迪斯尼世界(专注于Epcot中心)与世界博览会之间的直接联系。在这里,技术上的希望和未来的愿望与殖民帝国主义带来的令人不安的现实,以及我们目前通过全球村庄的图像对世界的分裂同时发挥了作用。总而言之,我认为-在一定程度上是对-反对迪斯尼是帝国主义的,垄断性的,出口平庸品味的跨国公司。尽管我只能对迪士尼世界的生计有所猜想,但其指标显示出可持续的光明前景。

著录项

  • 作者

    Knight, Cheryl Krause.;

  • 作者单位

    Temple University.;

  • 授予单位 Temple University.;
  • 学科 Art history.;Sociology.;American studies.
  • 学位 Ph.D.
  • 年度 2000
  • 页码 543 p.
  • 总页数 543
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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