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The beautiful shape of the good: A reading of Kant's 'Critique of Judgment' in light of Plato's 'Symposium' and Kant's thoughts on Pythagoras.

机译:美好的物品形态:根据柏拉图的“座谈会”和康德关于毕达哥拉斯的思想,解读康德的“审判批判”。

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摘要

In the Critique of Judgment Kant claims that the beautiful is the symbol of the morally good (§59, Ak. 353). He also claims that beauty bridges, or at least helps bridge, "the great gulf that separates the supersensible from the phenomena" (Introduction IX, Ak. 195). In my dissertation I attempt to explicate these two claims.;To this end I argue that there is a parallel between the notion of eros in Plato's Symposium and that of reflective judgment in Kant's third Critique. I believe that Plato's more accessible and suggestive text can shed light on Kant's famously difficult book. I offer an account of Plato's notion of eros in Chapter 2, and an account of Kant's notion of reflective judgment, together with the details of the parallel, in Chapter 3.;The parallel between Kant and Plato raises an obvious question: what was Kant's knowledge of Plato? I answer this question in Chapter 1. In addition, I argue that Jakob Brucker's Historia Critica Philosophiae, which seems to have been Kant's major source of information on Plato, would have raised Kant's interest in Pythagoras. Based on Kant's own writings and lectures, I show that Kant was aware of three items attributed to Pythagoras' thought and practice: first, the use of symbolism; second, the discovery that the combination of musical notes which are perceived as harmonious stand in determinable mathematical relations (what pleases the ear has a precisely expressible form) and, third, the view that the human capacity to grasp sensible form, such as that found in music or in mathematical construction, can be put to use as a step in moral education. In some shape or another, these three ideas are present in both Plato's Symposium and Kant's Critique of Judgment. I suggest that, even if Kant had not read the Symposium, by the time he wrote the third Critique he may well have gotten interested, thanks to his readings in ancient philosophy, in the issues of symbolism, the connection between pleasure and form, and in the further connection between beauty and moral reasoning.
机译:康德在《审判的批判》中声称,美丽是道德品德的象征(第59章,法律353)。他还声称,美丽的桥梁弥合了或至少帮助弥合了“将超理性与现象区分开的巨大鸿沟”(《引言IX》,第195页)。在我的论文中,我试图阐明这两个主张。为此,我认为,柏拉图专题讨论会的“色情”概念与康德的《第三批判》中的反思性判断之间存在相似之处。我相信,柏拉图更易读和更具启发性的文字可以为康德那本著名的艰难著作提供启示。我将在第2章中对柏拉图的eros概念进行说明,并在第3章中对康德的反思性判断概念以及类似内容进行详细说明;康德和柏拉图之间的相似之处提出了一个明显的问题:什么是康德?柏拉图的知识?我在第一章中回答了这个问题。此外,我认为雅各布·布鲁克的《历史学家批判哲学》似乎是康德有关柏拉图的主要信息来源,但也会引起康德对毕达哥拉斯的兴趣。根据康德自己的著作和演讲,我证明康德意识到毕达哥拉斯思想和实践的三个方面:第一,象征主义的使用;第二,象征主义的运用。第二,发现被认为是和谐的音符组合在可确定的数学关系中(使耳朵愉悦的声音具有可精确表达的形式),第三,发现人类掌握感性形式的能力(如发现的)在音乐或数学构造中,可以用作道德教育的步骤。柏拉图专题讨论会和康德的批判批判中都提出了这三种思想的某种形式。我建议,即使康德没有阅读研讨会,到他撰写第三次评论时,由于他对古代哲学的阅读,他很可能已经对象征主义,愉悦与形式之间的联系以及在美与道德推理之间的进一步联系。

著录项

  • 作者

    Fistioc, Cristiana Mihaela.;

  • 作者单位

    The University of Chicago.;

  • 授予单位 The University of Chicago.;
  • 学科 Philosophy.
  • 学位 Ph.D.
  • 年度 2000
  • 页码 240 p.
  • 总页数 240
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 哲学理论;
  • 关键词

  • 入库时间 2022-08-17 11:47:38

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