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Judicial craftsmanship at the Supreme Court: A critical legal studies examination of Court crafts informing the hate speech debate.

机译:最高法院的司法技巧:对法院工艺品的批判性法律研究考试,为仇恨言论辩论提供信息。

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摘要

Since Court justices are evaluated based on the quality of their crafts, chapter 1 identifies three elements of judicial craftsmanship: a conception of precedent (stare decisis), balancing interests and values, and a conception of democracy. Chapter 2 examines this model to determine how its different elements are interdependent. As the modern hate speech debate was considered 'settled' by the Court's crafts in the 1992 case R.A.V ., the remaining chapters examine the crafts of the authors of the two main opinions in R.A.V.: Justices Byron White and Antonin Scalia.; Chapter 3 outlines and criticizes the craftsmanship of White. To better understand his method of legal reasoning and to test the scope of the craft model, White's opinion in Bowers is examined.; Chapters 3 and 4 also examine the claim that White, or any Court justice, can and should advocate for certain political positions in his or her craft. These chapters assert that, in one sense or another, all Court justices are activists for certain political constituencies. Assuming that law is politics by other means, chapter 4 clarifies the dissertation's methodological commitment to one school of legal thought, Critical Legal Studies (CLS). Chapter 4 emphasizes that all crafts not only serve certain political constituencies, but in the ways they invoke precedents and balance interests and values each craft is complex and contradictory---and relies on extra-constitutional interests and values to respond to such problems. Since they all face comparable problems, crafts should not just be evaluated based on 'overcoming' such problems. Instead, all crafts should be evaluated according to more broadly democratic goals. In particular, crafts should not marginalize and subordinate social outsiders but instead empower them to share control over the conditions of our collective existence.; Chapter 5 next identifies and examines the judicial craftsmanship of Justice Antonin Scalia in general, and chapter 6 examines and compares Scalia's craft in R.A.V. to White's. The dissertation concludes Scalia's R.A.V. craft is undemocratic, and that case must be overturned, to better advance the interests of minority-race students targeted by hate speech. Only then will colleges feel freer to regulate campus hate speech.
机译:由于法院大法官是根据其手艺的质量进行评估的,因此第一章确定了司法手工艺的三个要素:先例概念(凝视决策),利益与价值之间的平衡以及民主概念。第2章研究了此模型,以确定其不同元素如何相互依赖。由于现代仇恨言论辩论在1992年的R.A.V案中被法院的手工艺品“解决”了,其余各章探讨了R.A.V.中两个主要观点的作者的手艺:大法官拜伦·怀特和安东尼·斯卡利亚。第三章概述并批评了怀特的手工艺。为了更好地理解他的法律推理方法并检验工艺模型的范围,研究了怀特在鲍尔斯的观点。第3章和第4章还探讨了怀特或任何法院法官可以并且应该主张其职务中某些政治立场的主张。这些章节断言,从某种意义上讲,所有法院法官都是某些政治选区的积极分子。假设法律通过其他手段成为政治,第四章阐明了论文对一种法律思想学派-批判法律学(CLS)的方法论承诺。第四章强调,所有手工艺品不仅服务于某些政治选区,而且以它们援引先例并平衡利益和价值观的方式,每种手工艺品都是复杂和自相矛盾的,并且依靠宪法以外的利益和价值观来应对此类问题。由于它们都面临类似的问题,因此不应仅基于“克服”此类问题来评估手工艺品。相反,应根据更广泛的民主目标对所有手工艺品进行评估。特别是,手工艺品不应边缘化和服从于社会外来者,而应授权他们对我们的集体生存条件分享控制权。接下来的第5章将对Antonin Scalia法官的司法技巧进行一般性的鉴定和审查,而第6章将在R.A.V.怀特的。论文总结了斯卡利亚的R.A.V.手工艺品是不民主的,必须推翻这种情况,以更好地促进仇恨言论所针对的少数民族学生的利益。只有这样,大学才能更加自由地规范校园仇恨言论。

著录项

  • 作者

    Green Musselman, Jack.;

  • 作者单位

    Indiana University.;

  • 授予单位 Indiana University.;
  • 学科 Law.; Philosophy.; Political Science General.
  • 学位 Ph.D.
  • 年度 2000
  • 页码 774 p.
  • 总页数 774
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 法律;哲学理论;政治理论;
  • 关键词

  • 入库时间 2022-08-17 11:47:38

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