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Ways of thinking about law in four nineteenth -century British novels: 'Orley Farm', 'Paul Clifford', 'The Woman in White', 'Felix Holt'

机译:19世纪四本英国小说中关于法律的思考方式:“奥利农场”,“保罗·克利福德”,“白衣女人”,“费利克斯·霍尔特”

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摘要

Novels participated in the intellectual debate over reform of the laws and the legal system in nineteenth-century Britain. From a law and literature perspective, they are most informative for the humanitarian and political concepts the characters and the narrators express about how the law operates in society, how the law and the legal system should be changed, and the influence of history upon representations of the law. These expressions of the law "as it is" and the law "as it ought to be," the real and the ideal, incorporate thinking that includes the influence of Sir William Blackstone's Commentaries on the Law of England and Jeremy Bentham's arguments for radical reform. They also reveal thinking about the law that connects to natural law theory, legal realism, positivism, and theories of evidence.;Two of the novels, Anthony Trollope's Orley Farm and George Eliot's Felix Holt, The Radical, are novels written in the literary tradition of realism. Wilkie Collins' The Woman in White stretches the expectations of the realistic novel that its representations will be of the law as it is to the sensation novel subgenre that includes aspects of the underworld of Victorian society including crime, deceit, treachery, and near anarchy. Collin's use of a legal framework demonstrates a closer account of the law as it is and its limitations than Trollope and Eliot. Paul Clifford by Bulwer-Lytton also attempts to demonstrate the law "as it is," while using an idealistic style to underscore his message that includes thinking about the law as it "ought to be.";Finally, because they are written by artists dependent on their imaginations, each novel urges a similar dependence on the imagination in law. Thus, thinking about law progresses to imagining about law as the novelists imagine an improved legal system, methods in which the imagination should work in the system's daily operation, and ways to circumvent the legal judgment rendered in each novel.
机译:小说参加了19世纪英国关于法律和法律制度改革的学术辩论。从法律和文学的角度来看,它们对于人物和叙事者所表达的人道主义和政治概念最为有用,他们讲述了法律在社会中的运作方式,法律和法律制度应如何变化以及历史对政治代表制的影响。法律。这些法律的“现状”和“应为”法律的表达,即真实和理想,都包含了思想,包括威廉·布莱克斯通爵士的评论对英格兰法律的影响以及杰里米·边沁对彻底改革的论点的影响。他们还揭示了对与自然法理论,法律现实主义,实证主义和证据理论相关的法律的思考;其中两本小说,是安东尼·特罗洛普的《奥利农场》和乔治·艾略特的费利克斯·霍尔特的《激进主义者》,都是文学传统的小说。现实主义。威尔基·柯林斯(Wilkie Collins)的《白衣女人》(The Woman in White)扩展了人们对现实主义小说的期望,即其代表作品将是法律,而对于包括维多利亚时代社会黑社会在内的轰动一时的小说类型,包括犯罪,欺骗,背叛和近乎无政府状态。与Trollope和Eliot相比,Collin对法律框架的使用更能说明法律的真实性及其局限性。 Bulwer-Lytton的Paul Clifford也尝试“按原样”展示法律,同时使用理想主义风格强调他的信息,其中包括对“应有”法律的思考;最后,因为它们是由艺术家撰写的依靠他们的想象力,每本小说都敦促对法律的想象力有类似的依赖。因此,随着小说家们对法律制度的改进,想象力在系统的日常运作中发挥作用的方法以及规避每本小说中作出的法律判断的方式,对法律的思考逐渐发展为对法律的想象。

著录项

  • 作者

    Luyster, Deborah Brumback.;

  • 作者单位

    Michigan State University.;

  • 授予单位 Michigan State University.;
  • 学科 Literature English.;Law.
  • 学位 Ph.D.
  • 年度 2001
  • 页码 343 p.
  • 总页数 343
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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