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Well lit: Exploring light's transformative potential through a study of the exterior illumination of Charleston, South Carolina movie theaters.

机译:光线充足:通过对南卡罗来纳州查尔斯顿电影院的外部照明进行研究,探索光的变革潜力。

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摘要

Charleston is a city that values its historic past to an extent that heritage tourism supplies a large portion of the economy. Charleston's enthusiasm for Revolutionary and mid-eighteenth century history overlooks many components of Charleston's history, including the entertainment advances of the early twentieth century, namely the thirty-two movie theaters that sprouted along King Street. The lack of attention has resulted in a substantial loss of movie theater fabric, to the degree that only one former theater retains the ability to show movies. The purpose and programming of the movie theaters has changed, and lighting has evolved from a character-defining feature into a subdued characteristic in the interior of the buildings. This thesis explores the once-prevalent and current potential for advertising and dramatic experiential qualities that lighting provides for historic movie theaters in Charleston. This thesis is comprised of two significant and inter-related findings: that Charleston adopted electricity and movies late but contemporaneously, and that existing buildings served as the vast majority of the movie theaters.;The thesis asserts that exterior architectural lighting is a character-defining feature. Following the establishment of characteristic lighting, this thesis argues that there was a historic precedent for Charleston movie theaters using lighting to define their character. Conclusions drawn from the research identify Charleston as a late adopter of electric lighting. The popularity of moving pictures coincided with the rise of electricity unlike other cities, which implemented electricity earlier. In terms of trends in lighting character, 70% of the study theaters were located in existing structures and that had a decisive impact on the visual character of Charleston theaters. These theaters utilized lighting as advertising and as the primary method of eliciting emotional investment for otherwise average commercial structures. The spectrum of established theater typologies, such as what constitutes a movie palace, is not easily applicable to Charleston. Thesis findings also concluded that there is an unrealized opportunity to employ some of the lighting design concepts and specific fixtures from the movie-theater era history of specific buildings into the contemporary rehabilitations of the buildings to continue the centuries-long tradition of captivating customers along King Street.
机译:查尔斯顿(Charleston)是一座重视历史悠久历史的城市,在一定程度上,传统旅游业为经济提供了很大一部分。查尔斯顿对革命和18世纪中叶历史的热情忽视了查尔斯顿历史的许多方面,包括20世纪初的娱乐发展,即沿国王街萌芽的32家电影院。注意力的缺乏导致电影院结构的大量损失,以致只有一个原剧院保留了放映电影的能力。电影院的目的和节目已经改变,并且照明已经从角色定义功能演变为建筑物内部的柔和特征。本文探讨了照明为查尔斯顿历史悠久的电影院提供的广告和戏剧性体验质量的一度当下和当前的潜力。本论文由两个重要且相互关联的发现组成:查尔斯顿晚但同时采用了电力和电影,并且现有的建筑物占据了电影院的绝大部分。该论文断言外部建筑照明是角色定义。特征。在建立了特征性照明之后,本文认为,查尔斯顿电影院使用照明来定义其特征存在着历史性的先例。研究得出的结论表明,查尔斯顿是电子照明的较晚采用者。与其他较早实施电力的城市不同,动态影像的流行与电力的上升同时发生。就照明特征的趋势而言,70%的自修剧院都位于现有结构中,这对查尔斯顿剧院的视觉特征具有决定性的影响。这些剧院将照明用作广告,并作为吸引普通商业建筑进行情感投资的主要方法。既定的剧院类型学的范围,例如电影院的构成,并不容易应用于查尔斯顿。论文的发现还得出结论,从电影院时代的特定建筑物历史到建筑物的现代修复,继续运用一些照明设计概念和特定灯具,以延续沿百年沿国王大道吸引顾客的传统,这是一个未实现的机会。街。

著录项

  • 作者

    Stoll, Jean Michelle.;

  • 作者单位

    Clemson University.;

  • 授予单位 Clemson University.;
  • 学科 Architecture.;Design.;American history.
  • 学位 M.H.P.
  • 年度 2016
  • 页码 248 p.
  • 总页数 248
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:47:17

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