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Reading the Gothic: American art and architecture in the age of Romantic literature, 1800--1850.

机译：读哥特式：浪漫主义文学时代的美国艺术和建筑，1800--1850年。

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This dissertation analyzes the impact Gothic novels and historical romances had on American art and architecture between 1800 and 1850. The study of American Gothic Revival architecture has been limited generally to formal analyses and attempts to see the style as prefiguring later architectural movements. Rather than analyze Gothic Revival architecture in light of proto-modernist innovations, this dissertation aims to place the style within the intellectual climate of its time. Chapter one initiates this methodology in the field of painting by analyzing the work of American Romantic painter Washington Allston in light of his literary tastes. This analysis demonstrates that Allston was haunted by the Gothic throughout his life's work, despite his dismissal of what he called his youthful “banditti mania.” Chapter two shows that many other prominent Americans, including artists, architects, and clients, were readers of Gothic novels and historical romances, and that their reading—often enhanced by European travel—influenced their artistic production. Key figures in the second chapter include Alexander Jackson Davis, Robert Gilmor III, James Fenimore Cooper, Washington Irving, and Thomas Cole. Using American actor Edwin Forrest's Fonthill Castle as a case study, the third chapter delineates the connections between Gothic Revival architecture and theatrical performance, arguing that the Gothic Revival style relies on spectacle and disguise to create semi-fictional spaces in which dramatic events are staged Finally, the fourth chapter examines Nathaniel Hawthorne's houses: both his fictional House of the Seven Gables, and the only home he ever owned, the Wayside in Concord, Massachusetts. Hawthorne articulated the subject of this dissertation when he wrote that he could understand Sir Walter Scott's romances better after viewing Scott's Gothic Revival house Abbotsford, and he understood the house better for having read the romances. This study investigates this symbiotic relationship between the arts and Gothic literature to reveal new interpretative possibilities.

机译：本文分析了哥特式小说和历史浪漫小说对1800年至1850年间美国艺术和建筑的影响。对美国哥特式复兴建筑的研究通常仅限于形式分析，并试图将其视为预示以后的建筑运动。本文不是按照原始现代主义的创新来分析哥特式复兴建筑，而是将其置于当时的知识分子氛围中。第一章通过根据美国浪漫主义画家华盛顿·奥尔斯顿的文学品位对他的作品进行分析，在绘画领域开始了这种方法论。这种分析表明，尽管奥尔斯顿无视他所谓的年轻的“匪徒狂热”，但他一生都被哥特式的困扰。第二章表明，许多其他杰出的美国人，包括艺术家，建筑师和客户，都是哥特小说和历史爱情小说的读者，而且他们的阅读（通常是欧洲旅行的结果）影响了他们的艺术创作。第二章中的关键人物包括亚历山大·杰克逊·戴维斯，罗伯特·吉尔摩三世，詹姆斯·费尼莫尔·库珀，华盛顿·欧文和托马斯·科尔。第三章以美国演员埃德温·福雷斯特（Edwin Forrest）的丰特希尔城堡（Fonthill Castle）为例，描述了哥特复兴式建筑与戏剧表演之间的联系，认为哥特复兴式的风格依赖于奇观和伪装，以创造出虚构的空间，在其中进行戏剧性的活动。，第四章考察了纳撒尼尔·霍索恩（Nathaniel Hawthorne）的房屋：既是他虚构的七个山墙房屋，也是他唯一拥有的房屋，马萨诸塞州康科德的路边。霍桑写道，在阅读了斯科特的哥特式复兴房屋阿伯茨福德之后，他可以更好地理解沃尔特·斯科特爵士的浪漫史，霍桑也表达了这篇论文的主题，而他也因为阅读浪漫史而对这座房屋有了更好的理解。这项研究调查了艺术与哥特文学之间的这种共生关系，以揭示新的解释可能性。

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作者
Carso, Kerry Dean.;
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作者单位

Boston University.;

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授予单位 Boston University.;
学科 Art History.; American Studies.; Literature American.; Architecture.
学位 Ph.D.
年度 2001
页码 318 p.
总页数 318
原文格式 PDF
正文语种 eng
中图分类艺术史、艺术思想史;建筑科学;
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入库时间 2022-08-17 11:46:52

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Reading the Gothic: American art and architecture in the age of Romantic literature, 1800--1850.

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