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Transforming desire: Power, sexuality, and the fantastic in postwar fiction by Ishikawa Jun and Enchi Fumiko.

机译:转变欲望:石川淳和恩智富美子在战后小说中的力量,性欲和幻想。

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摘要

This dissertation examines how two modern Japanese writers employ the literary fantastic to show the impact of social change on sexuality and gender. In the immediate postwar fiction of Ishikawa Jun and the late 1960's writing of Enchi Fumiko, literary fantasy indicates a "desire to change givens and alter reality," as defined by Kathryn Hume. This definition indicates empowerment, but I argue also that fantasy's aspect of strangeness can also be used to convey an anxiety toward the unknown amid the chaos of a society in transition. Among other devices, Ishikawa Jun makes use of transfiguration in Catholicism, and Enchi spirit possession, to explore how sexuality is directly tied to a sense of empowerment or the loss thereof.; Late 1960's narratives by Enchi, including Yukon (Wandering Spirit, 1970) and Oni (Demon, 1972), evoke the momentous atmosphere of popular dissent against institutional (corporate and government) power, while Occupation period works by Ishikawa such as Kayoi Komachi (Visits to Komachi, 1947), and Taka (The hawk, 1953), allude to (foreign and other) political forces that have upset a familiar, "normal" existence of Japanese male centrality. Ishikawa's fantasy scrutinizes the ideological nature of power as it appears in sexuality and gender performance, while in Enchi's narratives the fantastic confronts the changing cultural constructs of family, gender roles, and erotic expression. I consider these two writers together because both are famous for featuring the fantastic and sexuality in their work, but important differences separate them: Ishikawa underscores a contemporary disempowerment of post-war men, and Enchi shows how oppressed women empower themselves. To date, there have been no studies of the socio-historical aspects of Enchi Fumiko's narratives, nor of gender and sexuality in Ishikawa Jun's work. This dissertation addresses these concerns, and highlights the role of the literary fantastic in exploring the relationship between gender and power.
机译:本文考察了两位日本现代作家如何运用文学奇幻作品来展示社会变革对性和性别的影响。战后立即创作的石川淳(Ishikawa Jun)和1960年代后期的恩奇富美子(Enchi Fumiko)的作品,文学幻想表明,凯瑟琳·休姆(Kathryn Hume)定义为“渴望改变既定观念和改变现实”。这个定义表明了权力,但我也认为,幻想的陌生性也可以用来在转型社会混乱的情况下向未知传达焦虑。石川淳在其他手段中,利用天主教的变容和恩奇的精神占有,来探索性如何与授权或丧失权力直接相关。 1960年代后期,Enchi的叙述,包括Yukon(1970年游荡的精神)和Oni(1972年的恶魔),唤起了民众反对机构(企业和政府)权力的强烈气氛,而石川的占领时期则是Kayoi Komachi(访问) (1947年的小町(Komachi)和1953年的鹰(Taka))都暗示(外国和其他)政治力量扰乱了日本男性居中的熟悉的“正常”存在。石川的幻想审查了权力在意识形态和性别表现中的意识形态本质,而在恩奇的叙述中,幻想则面对着不断变化的家庭,性别角色和色情表达的文化结构。我将这两位作家放在一起考虑,是因为他们俩都以其出色的性和性取向而著称,但重要的区别却将他们分开:石川强调当代战后男子无权,恩奇则表明受压迫的妇女如何赋予自己权力。迄今为止,还没有对Enchi Fumiko的叙述的社会历史方面的研究,也没有对石川淳作品中的性别和性进行研究。本文解决了这些问题,并突出了文学奇幻小说在探索性别与权力之间关系中的作用。

著录项

  • 作者

    Bolles, Marilyn Frances.;

  • 作者单位

    University of California, Berkeley.;

  • 授予单位 University of California, Berkeley.;
  • 学科 Literature Asian.
  • 学位 Ph.D.
  • 年度 2001
  • 页码 171 p.
  • 总页数 171
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 I3;
  • 关键词

  • 入库时间 2022-08-17 11:46:47

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