首页> 外文学位 >Desire and generational conflicts in Chilean post-dictatorial literature and film (Figuraciones del deseo y coyunturas generacionales en la literatura y el cine postdictatorial chilenos).
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Desire and generational conflicts in Chilean post-dictatorial literature and film (Figuraciones del deseo y coyunturas generacionales en la literatura y el cine postdictatorial chilenos).

机译:智利独裁后的文学和电影中的欲望和世代冲突(智利独裁后的文学和电影中的欲望和世代相处的数字)。

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摘要

This dissertation analyzes works by Chilean novelists and film directors from the perspective of children: Diamela Eltit's El cuarto mundo and Mano de obra, Alberto Fuguet's Mala onda, Gustavo Graef-Marino's Johnny cien pesos and Andres Wood's Machuca. The theoretical framework draws upon insights from three theoretical traditions: psychoanalysis, social materialism and biopolitics, stressing the tension between children and adults. This study refers to concepts such as desire, repression, incest, mourning, reification, consciousness, labor, consumerism, punishment, discipline and hierarchical observation. The theoretical readings survey texts by Freud, Marcuse, Lukacs, Foucault, Agamben, Lipovetsky, Tomas Moulian, among others. The study of the following questions seeks an understanding of the mechanisms that affect young characters: How do artists envision the future of the youth as an aftermath of the dictatorship? How does the younger generation view the recent history? Were all Chileans under military scrutiny? Were there young Chileans who did not experience repression during the dictatorship? Have new generations become indifferent of the recent past? Can a narrative function as a means to historical mourning and reconstructing the collective memory of a traumatic past? In sum, this project attempts to compile a diverse group of voices that insist on the need to remember and understand the past critically.;Each chapter proposes different discourses: apocalyptic, messianic discourse, discourse of indifference and discourse of mourning. While some argue that Pinochet was a hero (messianic discourse), several artists view him as repressive, predicting that the youth experience coming of age in a social crisis, living in oblivion, while some end up exploited by the market or lured into delinquency (apocalyptic and post-apocalyptic discourses). Indifference and political apathy affect all children of the transition and reflect historical oblivion. Hedonism and delinquency are means to escape from adult politics, as they realize that even intimate facets in life are impacted by adult powers. Dictatorship overtook all aspects of life: friendship, family, and childhood. Mourning the past and criticizing today's reality through the perspective of children challenges the canonical messianic and apocalyptic discourses, allowing us to observe history from unconventional yet newly ontological vantage points.
机译:本文从儿童的角度分析了智利小说家和电影导演的作品:戴安娜·埃尔特(Diamela Eltit)的《厄瓜多尔的世界》和马诺·德·奥布拉,阿尔贝托·富古特(Alberto Fuguet)的《马拉达》,古斯塔沃·格雷夫·马里诺(Gustavo Graef-Marino)的约翰尼·西恩·比索和安德烈斯·伍德的马丘卡。该理论框架借鉴了三种理论传统的见解:心理分析,社会唯物主义和生物政治,强调了儿童与成人之间的紧张关系。本研究涉及诸如欲望,压抑,乱伦,哀悼,具体化,意识,劳动,消费主义,惩罚,纪律和等级观察等概念。理论读物调查了弗洛伊德,马尔库塞,卢卡奇,福柯,阿甘本,利波维茨基,托马斯·穆里安等人的著作。对以下问题的研究旨在了解影响年轻角色的机制:艺术家如何将年轻人的未来视为独裁统治的后果?年轻一代如何看待最近的历史?所有智利人都受到军事审查了吗?是否有年轻的智利人在独裁时期没有受到镇压?新一代对最近的过去变得漠不关心了吗?叙事功能可以作为悼念和重建创伤过去的集体记忆的一种手段吗?总而言之,该项目试图汇编各种各样的声音,这些声音坚持需要批判地记住和理解过去。每一章都提出了不同的话语:启示性,弥赛亚性话语,冷漠话语和哀悼话语。虽然有些人认为皮诺切特是英雄(弥赛亚话语),但一些艺术家认为他是压抑性的,他们预言青年经历了社会危机中成年后的生活,被遗忘了,而有些则最终被市场利用或引诱至犯罪(世界末日的话语)。冷漠和政治冷漠影响了过渡的所有孩子,反映了历史遗忘。享乐主义和犯罪是逃避成人政治的手段,因为他们意识到,即使是生活中的各个方面都受到成人权力的影响。专政统治了生活的方方面面:友谊,家庭和童年。从儿童的角度哀悼过去并批评当今的现实,挑战了经典的弥赛亚和世界末日话语,使我们能够从非常规的但新的本体论角度来观察历史。

著录项

  • 作者

    Park, Moises.;

  • 作者单位

    University of California, Davis.;

  • 授予单位 University of California, Davis.;
  • 学科 Literature Latin American.;Cinema.
  • 学位 Ph.D.
  • 年度 2010
  • 页码 334 p.
  • 总页数 334
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:37:32

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