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Masks, voices, echoes: Ernest Hemingway constructing the writer/reader relationship.

机译:面具,声音,回声:欧内斯特·海明威(Ernest Hemingway)建立了作者/读者关系。

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摘要

Hemingway offers a unique opportunity for study because of his mastering a recognizable style and the unprecedented celebrity status he gained worldwide. He achieved celebrity status early in his career, and with a high degree of self-consciousness, he strove to maintain and amplify that status. More importantly, he also used this status in his textual construction of relationships with his readers, whom he knew would have his reputation in mind as they read.; Therefore, in light of these facts, I wish to examine in detail the means by which a writer fictionalizes his audience, and the writer, in turn, constructs a personality or “voice” (in the text) while addressing that audience. In doing so, I shall focus on various stylistic features in Hemingway's writing as I examine how he constructs a voice in various texts across the range of his career.
机译:海明威提供了独特的学习机会,因为他掌握了一种公认的风格,并且在世界范围内获得了空前的名人地位。他在职业生涯的早期就获得了名人的地位,并以高度的自我意识努力保持和扩大这种地位。更重要的是,他在与读者的关系的文本构造中也使用了这种身份,他知道读者在阅读时会铭记自己的声誉。因此,鉴于这些事实,我希望详细研究作家对观众进行虚构的手段,然后,作家在向观众讲话时会建构一种个性或“声音”(在文字中)。在这样做的过程中,我将重点研究海明威写作中的各种风格特征,同时研究他在整个职业生涯中如何在各种文本中构建声音。

著录项

  • 作者

    Travis, Gregory Todd.;

  • 作者单位

    Saint Louis University.;

  • 授予单位 Saint Louis University.;
  • 学科 Literature American.; Literature Modern.
  • 学位 Ph.D.
  • 年度 2002
  • 页码 111 p.
  • 总页数 111
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 世界文学;
  • 关键词

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