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Transplanting the novel of manners to American soil: Willa Cather and the democratization of manners.

机译:将举止小说移植到美国的土地上:威拉·凯瑟(Willa Cather)和举止民主化。

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摘要

The dissertation examines the integral role manners played in Willa Cather's life and fiction. She simultaneously longed for and distrusted the social polish of proper manners. Cather understood the centrality of manners to human relationships, but she also recognized their potential to damage and silence.; The first chapter introduces Cather's life-long engagement with manners. The second and third chapters examine Cather's childhood scrapbook and her work as managing editor of the Home Monthly, to identify the prescriptive and conflicting nature of Cather's early interaction with manners. In The Song of the Lark, the focus of the fourth chapter, Cather addresses manners directly by rewriting the traditional novel of manners, subverting the marriage plot and creating an independent and talented heroine who can learn, interpret, critique, and transform manners to create her own code of behavior. In My Antonia, the subject of the fifth chapter, Cather fully democratizes manners, by inserting the silenced narrative of the hired girls, to produce the American novel of manners. Chapter six presents A Lost Lady as a postscript to Cather's American novel of manners, exploring what happens when society begins to disintegrate and manners no longer have a foundation to support them. The seventh chapter outlines Cather's continued engagement with manners in her later novels.; After working within the commercial construct of manners in her scrapbook and at the Home Monthly, Cather democratizes manners by rewriting the traditional novel of manners in The Song of the Lark and then creating her own American novel of manners in My Antonia , a version that included both broader opportunities for women and direct participation by all members of society. In A Lost Lady, her postscript to the American novel of manners, Cather points to the redefinition of manners in commercial terms and explores what happens when manners no longer have the society to support them.
机译:本文考察了威拉·凯瑟的生活和小说中举足轻重的角色。同时,她渴望和不信任正确的举止。凯瑟了解举止在人际关系中的重要性,但她也意识到举止可能破坏和沉默。第一章介绍凯瑟一生的举止。第二章和第三章检查了凯瑟的童年剪贴簿以及她作为《家庭月刊》的执行主编的工作,以确定凯瑟早期与礼仪互动的规范性和冲突性。凯瑟(Cather)在第四章的重点《百灵鸟之歌》(italic)中,通过改写传统的礼仪小说,颠覆婚姻情节并创建了一个能够学习,解释,批判,并改变举止以创建自己的行为准则。在第五章的主题我的安东尼娅中,Cather通过插入被雇佣女孩的默默叙述,使礼仪完全民主化,从而制作了美国的礼仪小说。第六章介绍了《斜体的女人》(斜体)作为凯瑟美国礼仪小说的后记,探讨了社会开始瓦解和礼仪不再有支撑之时的后果。第七章概述了凯瑟在后来的小说中对礼仪的继续投入。在她的剪贴簿和家庭月刊中研究了礼仪的商业构造之后,凯瑟通过在《云雀之歌》 中重写传统的礼仪小说,使礼仪民主化。她在《我的安东尼娅》中的美国风俗小说,该版本既包括妇女的更多机会,又包括社会所有成员的直接参与。凯瑟(Cather)在她的美国风俗小说的后记《 <失去的女人》(italic)中,指出了商业上对风俗的重新定义,并探讨了当风俗不再具有社会支持时会发生什么。

著录项

  • 作者

    Bradley, Jennifer L.;

  • 作者单位

    The University of Nebraska - Lincoln.;

  • 授予单位 The University of Nebraska - Lincoln.;
  • 学科 Literature American.
  • 学位 Ph.D.
  • 年度 2002
  • 页码 332 p.
  • 总页数 332
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 I712;
  • 关键词

  • 入库时间 2022-08-17 11:46:18

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