Three works were produced (Whenerer You're Ready—A Gift for Carol, Pecking Order, and Enrapture) using three different choreographic approaches, in pursuing a Master of Fine Arts degree in Dance from California State University, Long Beach. The works were performed on campus at the Martha B. Knoebel Dance Theater: the first dance in concert on 22–25 February 2001, the second in concert on 27–30 September 2001, and the third in concert on 21–24 February 2002.; Whenever You're Ready, a solo created and performed by this choreographer, chronicled the journey of a loved one's death. Pecking Order, inspired by Mongolian throat singers/Tuva voices, was created for eightht women, including this choreographer. Enrapture , a dance that represented mentorship, was performed by three women, including this choreographer and her mentor, Professor Susan McLain. These works were documented and analyzed in this paper.
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机译：在追求美术硕士学位的过程中，使用三种不同的编舞方法制作了三幅作品（《斜体》，准备好迎接卡罗尔，啄木鸟的礼物和<斜体>迷恋）。长滩加州州立大学舞蹈学士。这些作品是在玛莎·诺贝尔舞蹈剧院的校园里表演的：2001年2月22日至25日举行的第一场音乐会舞蹈，2001年9月27日至30日举行的第二场音乐会，2002年2月21日至24日举行的第三场音乐会。 ; 每当您准备就绪时，由这位编舞者创作和表演的独奏记录了亲人死亡的历程。 Pecking Order 受蒙古喉歌手/图瓦人声音的启发，是为包括这位舞蹈编导在内的八分女性而创作的。 Enrapture 是代表导师制的舞蹈，由三位女士组成，其中包括这位舞蹈编导和她的导师Susan McLain教授。本文对这些作品进行了记录和分析。
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