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Making the private public: Women, marriage, motherhood, and the feminine discourse in Su Qing's fiction.

机译:公开私人:苏青小说中的女性,婚姻,母性和女性话语。

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摘要

As one of the prominent Shanghai-based women writers, Su Qing became famous during wartime in the occupied Shanghai. Her works mainly concern women's experience in society. The hallmark of her writings is to translate women's quotidian life, which always involves sexual relationships, marriage, and motherhood, into literature from an acute female perspective. Woman is depicted as the weak one in Su's writings; the subaltern woman's struggle for a living represents the common people floundering in the occupied metropolis. Su Qing delineated the life in the occupied area, without fanciful details or rhetorical embellishment. Some scholars think that her fiction is mediocre as art. Others regard her as a feminist writer, and her writing is essentially anti-patriarchal and anti-sexist. None of the discussions thoroughly examine all her works or fairly evaluate her achievements and failures. Su Qing's fiction strays off the spirit of the May Fourth women writers; she cynically laughs at women's follies, even her own stupidity, with a first-person narrator as a representative of the new women trapped in a traditional family. Su Qing's fiction stresses the realistic problems of women's daily lives, and magnifies the private experience of being a woman and other domestic trivial details when she deconstructs grand narratives to create her unique discursive and fluid narrative style. She provides a gallery of women's fragmentary forced roles, emphasizing social injustice and women's own follies as the cause for the failures of those new urban and new educated women. She overtly speaks out about the new women's perplexity and bewilderment between love and libido by depicting their bold desires for love and sex. Most importantly, she discloses the true face of contemporary marriage: women use their bodies in exchange for a stable life within the male-dominated society. Additionally, she anatomizes motherhood from physical and psychological aspects. Su Qing's fiction thus stretches a panorama of women's quotidian living situations in contemporary urban setting.
机译:作为上海著名的女性作家之一,苏青在战时在被占领的上海闻名。她的作品主要涉及女性的社会经历。她作品的标志是从敏锐的女性视角将女性的日常生活(包括性关系,婚姻和母性)转化为文学。在苏的作品中,女人被描述为弱者。下层妇女的谋生生活代表了在被占领的大都会中挣扎的平民百姓。苏青描绘的是被占领地区的生活,没有奇异的细节或夸张的装饰。一些学者认为她的小说像艺术一样平庸。其他人则认为她是女权主义者,她的著作本质上是反父权制和反性别主义的。这些讨论都没有彻底检查她的所有作品或公平地评估她的成就和失败。苏青的小说偏离了五四女作家的精神。她以第一人称叙述者作为被困在传统家庭中的新女性的代表,愤世嫉俗地嘲笑女性的愚蠢甚至自己的愚蠢。苏青的小说强调了女性日常生活中的现实问题,并在解构宏大叙事以创造出独特的话语性和流动性叙事风格时,放大了作为女性和其他琐碎细节的私人经历。她提供了一个由女性担任的零碎角色的画廊,强调社会不公正和女性的愚蠢,这些都是导致这些新的城市女性和受过教育的女性失败的原因。她通过描述新女性对性爱的大胆渴望,公开地表达了新女性在爱与性欲之间的困惑和困惑。最重要的是,她揭示了现代婚姻的真实面貌:妇女用自己的身体来换取男性主导的社会中稳定的生活。此外,她从生理和心理方面剖析了母亲的身份。因此,苏青的小说勾勒出当代城市环境中女性日常生活的全景。

著录项

  • 作者

    Liu, Ying.;

  • 作者单位

    University of Colorado at Boulder.;

  • 授予单位 University of Colorado at Boulder.;
  • 学科 Literature Modern.;Literature Asian.
  • 学位 M.A.
  • 年度 2010
  • 页码 61 p.
  • 总页数 61
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:36:42

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