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Love, labor and life: Existence through a neo-surrealist style.

机译:爱情,劳动和生活:通过新超现实主义风格的存在。

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摘要

The artistic work explained in this paper reflects imaginative ideas, consisting of meticulous work in a variety of media: pen and ink, oil paint, and steel. The creative process used to produce my works is based on both psychological and physical levels. Psychologically, I reflected and depended on dreams from the past to capture images from my sub-conscience. The importance of industrial symbolism and how it was chosen and strategically placed in the work aided me to deal with my preoccupation with death, a tradition that stems from my Hispanic roots, such as observing the Mexican holiday: Day of the Dead. My intention was to push myself to create much larger scale works than I was accustomed to creating. In the process, I have documented significant, fictional scenes from my childhood visions and dreams that have affected me profoundly in my adulthood. Realizing this, I have felt a sense of urgency to produce my artistic visions. In my work, I strive to share an artistic language that is rich in expression, despite the mysterious qualities of the imagery that assist me in comprehending the mystery of existing and dealing with my mortality. This imagery is autobiographical in nature, and its use in a Surrealistic style becomes my neo-surrealism.
机译:本文所解释的艺术作品反映了富有想象力的思想,包括在各种媒体上的细致作品:钢笔和墨水,油画颜料和钢铁。创作我作品的创作过程是基于心理和生理层面的。从心理上讲,我反思并依靠过去的梦想来捕捉我的潜意识。工业象征主义的重要性以及如何选择和战略性地放置在工作中,这帮助我处理了对死亡的关注,这种传统源于我的西班牙裔根源,例如观察墨西哥的节日:亡者节。我的目的是推动自己创作比我习惯的作品规模更大的作品。在此过程中,我从童年的异象和梦想中记录了重要的虚构场景,这些场景对我的成年产生了深远的影响。意识到这一点,我感到产生了我的艺术见解的紧迫感。在我的作品中,尽管图像的神秘特质可以帮助我理解现存的奥秘并处理我的死亡,但我仍在努力分享一种表达力十足的艺术语言。这种图像本质上是自传,以超现实主义风格使用成为我的新超现实主义。

著录项

  • 作者

    Saenz, Manuel, Jr.;

  • 作者单位

    The University of Texas - Pan American.;

  • 授予单位 The University of Texas - Pan American.;
  • 学科 Fine Arts.
  • 学位 M.F.A.
  • 年度 2003
  • 页码 44 p.
  • 总页数 44
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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