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The courtly vernacular: The transformation of Brajbhas&dotbelow;a literary culture (1590--1690).

机译:彬彬有礼的白话:布拉杰斯的ha变和文学文化的转变(1590--1690)。

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摘要

This dissertation rethinks standard critical approaches to the Hindi riti tradition, a substantial corpus of Brajbhas&dotbelow;a courtly literature, by a close examination of the principal texts, literary practices, and persons who constituted it. Modern critics view riti literature as the product of a declining late-medieval culture. Its style and subjects and aesthetics are typically seen as tired relics from India's feudal past; the classicism that was central to this literary world has come to be constructed as evidence precisely of its decadence.; The first two chapters of the dissertation explore how these postulates about riti literature owe their genesis to colonial and nationalist-period rhetoric. The chapters that follow develop a critique of the standard scholarly treatment of riti by re-examining the actual texts and contexts of Brajbhas&dotbelow;a court poets and commentators from a variety of angles. Chapter 3 looks in detail at the writings of Kesavdas (fl. 1600), focusing on his role as the founder of the riti tradition, and the complex intellectual and poetic strategies that were at play in his appropriation of Sanskrit literary modalities for the creation of a new vernacular style. Chapter 4 looks at the spread of rIti literary culture through its social networks, patronage contexts, and poetic and intellectual modes. Chapter 5 is devoted to a style of riti writing that has been almost wholly ignored by modern Hindi criticism: historical poetry. Contact with the Mughal imperium, it is suggested here, gave rise to a new historiographical impulse that generated a new poetry of regional politics in Brajbhas&dotbelow;a.; This dissertation is above all concerned with suggesting a range of new perspectives for the study of riti literature. It operates from a location of profound respect for the pre-modern poets and intellectuals who produced the tradition and strives to understand its shape and logic from a viewpoint other than that of colonial modernity, which has until now dominated its critical reception.
机译:本论文重新审视了印地语传统的标准批判方法,这是布拉吉·巴多斯的一种实质性文集,通过仔细研究主要文本,文学实践及其构成者而成为一种有礼貌的文学作品。现代评论家认为里蒂文学是中世纪晚期文化下降的产物。它的风格,主题和美学通常被视为印度封建时代的疲惫遗迹。对于这个文学世界来说,至关重要的古典主义已经被精确地证明了它的decade废。论文的前两章探讨了有关里蒂文学的这些假设如何归因于殖民时期和民族主义时期的言论。随后的各章通过从各个角度重新审视了布拉吉斯和法庭诗人和评论员的实际文本和语境,从而对里蒂的学术研究作了批判。第3章详细研究了Kesavdas(1600年,版)的著作,着重介绍了他作为Riti传统创始人的角色,以及在他使用梵语文学形式来创造Kiti时所采用的复杂的智力和诗意策略。一种新的白话风格。第四章通过社会网络,光顾背景,诗意和知识模式来考察宗教文学文化的传播。第5章专门讨论了里蒂写作的风格,这种风格几乎被现代印地语批评:历史诗完全忽略了。在此建议,与莫卧儿王朝的接触产生了一种新的史学冲动,在布拉杰斯(Brajbhas)中产生了一种新的地区政治诗歌。本文首先涉及为人类文学研究提出一系列新的观点。它的运作地源于对产生该传统的前现代诗人和知识分子的崇高敬意,并努力从殖民现代性之外的其他观点来理解其形态和逻辑,而殖民现代性至今仍占据着批判性接受。

著录项

  • 作者

    Busch, Allison Renee.;

  • 作者单位

    The University of Chicago.;

  • 授予单位 The University of Chicago.;
  • 学科 Literature Asian.
  • 学位 Ph.D.
  • 年度 2003
  • 页码 285 p.
  • 总页数 285
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 I3;
  • 关键词

  • 入库时间 2022-08-17 11:45:57

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