Gabriel Faure (1845--1924): Innovator of the French modern style as seen in his works for cello and piano.

摘要

Gabriel Fauré was a deeply influential leader in establishing modern trends in early twentieth-century French music. His individualistic compositions include both traditional and modern aspects incorporated into his own distinctive style. This doctoral project is a study of Fauré's contributions to French chamber-music and explores especially his works for cello.; In the first chapter of this dissertation, a brief biography of Fauré is presented, and Fauré's personal relationships with several influential contemporaries, including Camille Saint-Saëns, are discussed. The second chapter describes Fauré's highly effective career as Professor and then Director and reformer at the Paris Conservatoire. In the third chapter, Fauré's chamber music is discussed, with emphasis on his works for cello. His works can be divided into three time periods, each representative of the composer's unique musical style and illustrative of Fauré's stylistic development throughout his career. The fourth and final chapter examines the evolution of Fauré's musical approach, while his complete works for the cello are analyzed and compared. Diverse reactions of his contemporary critics to Fauré's late-period chamber works are also presented.; As part of this doctoral project two recitals of works by Fauré and his contemporaries were performed at the University of Maryland School of Music. The works performed in the first recital include Camille Saint-Saëns' Romance for Violoncello and Piano, Opus 36 (1877); Maurice Ravel's Sonata for Violoncello and Violin (1920–22); Claude Debussy's Sonata for Violoncello and Piano (1915); and Fauré's Violoncello Sonata No. 1 in d minor, Opus 109 (1917). The second recital incorporated selections from all three of Fauré's compositional periods: Elégie for Violoncello and Piano Opus 24, (1880); Papillion for Violoncello and Piano, Opus 77 (1885), Romance for Violoncello and Piano, Opus 69 (1894), Sicilienne for Violoncello and Piano, Opus 78 (1898, originally 1893); Violoncello Sonata No. 2 in g minor, Opus 117 (1921); and Piano Trio in d minor, Opus 120 (1922–1923).