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The Fishermen's Memorial and Tribute in Lunenburg, Nova Scotia: The interface between producers and consumers of cultural heritage.

机译:新斯科舍省卢嫩堡的渔民纪念馆和进贡:文化遗产的生产者和消费者之间的联系。

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摘要

Using MacCannell's (1976) framework of the ‘back’ and the ‘front,’ this study focuses on the interface between the producers and the consumers of the Fishermen's Memorial and Tribute in Lunenburg, Nova Scotia, and explores four processes: representation, interpretation, influence, and transformation. Over the past twenty years, increased tourism has restructured Lunenburg's Old Town into a kind of amusement park for visitors, forcing the fishing industry away from the town's waterfront through rezoning, and further pushing fishing as the local cultural identity into the past. In 1996, the fishing community unveiled a monument meant to mourn the dead and celebrate a way of life. Since then, the structure has been transformed into an icon of cultural heritage for tourists through the media, tourism propaganda material, and displays in the museum located across the parking lot. With its black polished granite pillars decorated with names of over six hundred men this fishing community has lost at sea, the Fishermen's Memorial and Tribute rests on the Lunenburg's waterfront like a tombstone. (Abstract shortened by UMI.)
机译:本研究使用MacCannell(1976)的“后方”和“前方”框架,着眼于新斯科舍省卢嫩堡渔民纪念馆和进贡者的生产者与消费者之间的接口,并探索了四个过程:代表,解释,影响力和变革。在过去的20年中,旅游业的增长使伦嫩堡的旧城区改建成了供游客参观的游乐园,通过重新分区,迫使渔业远离城镇的滨水区,并将渔业作为当地的文化特征进一步推向了过去。 1996年,捕鱼社区揭开了一座纪念碑,意在悼念死者并庆祝一种生活方式。从那时起,该结构就通过媒体,旅游宣传材料以及位于停车场对面的博物馆中的陈列品,变成了游客文化遗产的标志。黑色的抛光花岗岩柱子装饰着这个渔民在海上迷失的六百多人的名字,渔民纪念馆和进贡像一块墓碑一样搁在卢嫩堡的海滨。 (摘要由UMI缩短。)

著录项

  • 作者单位

    Dalhousie University (Canada).;

  • 授予单位 Dalhousie University (Canada).;
  • 学科 Anthropology Cultural.; Recreation.; Agriculture Fisheries and Aquaculture.
  • 学位 M.A.
  • 年度 2003
  • 页码 93 p.
  • 总页数 93
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 人类学;群众文化事业;水产、渔业;
  • 关键词

  • 入库时间 2022-08-17 11:45:52

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