首页> 外文学位 >Seduction rhetoric, masculinity, and homoeroticism in Wilde, Gide, Stoker, and Forster (Oscar Wilde, Ireland, Andre Gide, France, Bram Stoker, E. M. Forster).
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Seduction rhetoric, masculinity, and homoeroticism in Wilde, Gide, Stoker, and Forster (Oscar Wilde, Ireland, Andre Gide, France, Bram Stoker, E. M. Forster).

机译:王尔德,吉德,斯托克和福斯特(奥斯卡·王尔德,爱尔兰,安德烈·基德,法国,布拉姆·斯托克,E.M。福斯特)的诱惑性言论,男性气概和同性同情。

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摘要

This dissertation employs the psychoanalytic theories of Jacques Lacan and Jean Laplanche in order to analyze the role of the “rhetoric of seduction” in masculine self-identifications and in transformations of the meaning of masculinity between 1890 and 1918. Seduction is understood as simultaneously a process of disrupting the subject's illusion of a stable masculine identity and a process through which that illusion is regained and sustained. Chapter 1 discusses the competing discourses of corruption and the Platonic model of male bonding in the Oscar Wilde trials and the unstable boundary between self-development and influence in The Picture of Dorian Gray. Chapter 2 focuses on Andre Gide's construction of an “authentic,” masculine homosexual identity in his memoir If It Die and in The Immoralist, arguing that such an identity necessarily contains the impulse of its own internal disintegration. Chapter 3 argues that the vampire in Bram Stoker's Dracula resembles the psychoanalyst in facilitating the subject's access to his unconscious but also serving the subject's retreat within the boundaries of a stable ego formation. Finally, Chapter 4 explores E. M. Forster's Maurice as an account of the development of a masculinity appropriate for a “liberal individualist,” through an emphasis on the role of sexuality and personal relationships in Forster's political vision.
机译:本文运用雅克·拉康(Jacques Lacan)和让·拉普兰奇(Jean Laplanche)的精神分析理论来分析“诱惑性修辞”在男性自我认同和男性气质含义转变之间的作用(1890年至1918年)。诱惑被理解为一个过程破坏受试者对稳定男性身份的幻觉,以及重新获得并维持这种幻觉的过程。第一章讨论《奥斯卡·王尔德》(Oscar Wilde)审判中的竞争性腐败话语和柏拉图式的男性交往模型,以及《 italic>多利安·格雷图片》中自我发展与影响力之间的不稳定边界。第2章重点讨论安德烈·基德(Andre Gide)在他的回忆录《如果死了》和《不道德主义者》中的“真实”男性同性恋身份的建构,并认为这种身份必然包含冲动。自身内部的崩溃。第三章认为,布拉姆·斯托克(Bram Stoker)的《吸血鬼》(Dracula)中的吸血鬼类似于心理分析家,它不仅可以使受试者接近他的无意识,而且可以在一个稳定的自我形成的边界内为受试者的撤退提供帮助。最后,第4章通过强调性和人际关系在福斯特的政治视野中的作用,探讨了E.M. Forster的 Maurice 作为适合“自由个人主义者”的男性气质发展的原因。

著录项

  • 作者

    Kuzmanovic, Dejan.;

  • 作者单位

    Rice University.;

  • 授予单位 Rice University.;
  • 学科 Literature Comparative.; Literature English.; Literature Romance.
  • 学位 Ph.D.
  • 年度 2003
  • 页码 231 p.
  • 总页数 231
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 文学理论;世界文学;
  • 关键词

  • 入库时间 2022-08-17 11:45:49

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