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The eternally flourishing stronghold: An iconographic study of the Buddhist sculpture of the Fowan and related sites at Beishan, Dazu, ca. 892--1155.

机译:永恒的据点:约旦河大足北山佛像及相关遗址的佛像研究。 892--1155。

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摘要

The religious sculpture of Sichuan has become increasingly recognized as an important resource for the study of the development of Buddhist sculpture in China. One of the most important centers of Buddhist sculpture in Sichuan is the area of Dazu county where there are dozens of cliff sculpture sites. This dissertation focuses on the sculpture of Beishan (North Hill), which is one of the two primary sites with Buddhist sculpture in Dazu and the site with the longest chronology in the local area. The principal location for cliff sculpture at Beishan is an approximately quarter mile long sandstone cliff near the summit of Beishan, which is known as the Fowan (Buddha Cove). The cliff sculpture at this site consists of some two-hundred seventy odd image niches and small excavated caves that were carved over a period of roughly two-hundred sixty years from the late ninth to mid twelfth centuries.;In this dissertation an attempt is made to provide an iconographical analysis of the Buddhist imagery found at the Fowan site and to show their significance within the developments in Chinese Buddhist art and the Buddhist art of the region, as well as to reveal something of the local society and Buddhist practices that underpinned the sponsorship of this imagery. The most significant iconographic subject matter that occurs at the Fowan site is discussed under the broad categories of Esoteric and Pure Land Buddhism. These include many conventionalized Buddhist iconographies from the Tang and Song Dynasties, but also feature a number of unique iconographic variations. Accordingly, the iconography of the imagery at the site is presented in light of scriptural sources, historical documents, and related imagery elsewhere, particularly within the region. The general history and chronology of the site is discussed in relation to the historical setting of the Sichuan Basin and its broader cultural environment. Description and interpretive accounts of each niche/cave, as well as transcriptions and tentative translations of a significant portion of the relevant epigraphy found at the site are also provided.
机译:四川的宗教雕塑已被越来越多地视为研究中国佛教雕塑发展的重要资源。四川最重要的佛教雕塑中心之一是大足县,该地区有数十处悬崖雕塑遗址。本文主要研究北山雕塑,它是大足佛教雕塑的两个主要遗址之一,也是当地时间顺序最长的遗址。北山悬崖雕塑的主要位置是北山山顶附近大约四分之一英里长的砂岩悬崖,被称为佛湾(佛湾)。在这个地方的悬崖雕塑由大约270个奇特的图像壁and和小的发掘的洞穴组成,这些洞穴在从第九世纪末到第十二世纪中叶大约260年的时间内雕刻而成。提供在佛湾遗址发现的佛教图像的图像分析,并显示其在中国佛教艺术和该地区佛教艺术发展中的重要性,并揭示支撑该艺术的当地社会和佛教习俗该图像的赞助。在密宗佛教和净土佛教的广泛类别下,讨论了发生在佛山遗址上的最重要的图像主题。这些不仅包括唐宋时期许多传统的佛教肖像画,而且还具有许多独特的肖像画变化。因此,根据圣经来源,历史文献以及其他地方(尤其是该地区之内)的相关图像,呈现了该地点图像的图像。结合四川盆地的历史背景及其更广泛的文化环境,讨论了该遗址的一般历史和年代。还提供了每个小生境/洞穴的描述和解释说明,以及在该站点发现的有关碑文的重要部分的抄写和初步翻译。

著录项

  • 作者

    Suchan, Thomas.;

  • 作者单位

    The Ohio State University.;

  • 授予单位 The Ohio State University.;
  • 学科 History Asia Australia and Oceania.;Art History.
  • 学位 Ph.D.
  • 年度 2003
  • 页码 896 p.
  • 总页数 896
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:45:46

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