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'40 Views of the Yuanming yuan': Image and Ideology in a Qianlong Imperial Album of Poetry and Paintings.

机译：“圆明园四十景”：乾隆御书画集中的意象。

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Completed in 1744, the imperial album "40 Views of the Yuanming yuan" contains 40 poems by the Qianlong emperor (r. 1736--1795) paired with 40 paintings of the garden-palace Yuanming yuan, the "Garden of Perfect Brightness." Ultimately, the synthesis of texts and images is an embodiment of a Qing imperial ideology. The paintings exhibit the extraordinary level of fmish of the best examples of court painting in the Qianlong era. They are the collaborative work of Tangdai (1673--after 1751), a Manchu official of the imperial court, and Shen Yuan (act. ca. 1728--1748), a Chinese painter attached to the Qing imperial Painting Academy. Tangdai's landscapes are rendered in the style of the scholar-amateur Orthodox School, and Shen Yuan's depiction of the architecture displays the influence of European perspective and modeling taught to Academy painters by European Jesuit missionary-artists.;The album finds historical precedents in the tradition of sets of painted views associated with poetry, which include the Tang dynasty poet Wang Wei's (701--761) poems on his country retreat as well as the Song-dynasty "10 Views of West Lake." The immediate model for the "40 Views," however, was the Kangxi emperor's (r. 1662--1722) "36 Views of the Bishu shanzhuang," his summer palace at Shenyang. The Qianlong "40 Views" were literally surrounded by texts. Among them are the Yongzheng emperor's (r. 1723--1735) "Record of the Yuanming yuan," which laid out the guiding principles for the construction of the Yuanming yuan, and the Qianlong emperor's "Later Record of the Yuanming yuan," which expanded on these themes.;The poems and paintings of the "40 Views" were reproduced in 1745 by the imperial printing workshops. Crucial to this publication was the addition of a vast body of citations from the Confucian classics, the standard Histories, the works of famous poets, Buddhist and Daoist texts as well as traditional literary sources. The texts associated with the Yuanming yuan and, specifically, the poems and paintings of the "40 Views" sought to invest the garden-palace with Chinese cultural significance and to project an image of the Qianlong emperor as the just, virtuous and rightful ruler of China.

机译：御用专辑《圆明园的四十景》于1744年完成，收录了乾隆皇帝（r。1736--1795）创作的40首诗，以及园明园圆明园的40幅画作，《圆明园》。最终，文字和图像的综合是清帝国意识形态的体现。这些画展现了乾隆时代宫廷画最佳典范的超凡脱俗。它们是宫廷满族官员唐代（1673年至1751年后）与清朝画院附属的中国画家沈元（约1728--1748年）的合作作品。 Tangdai的风景以学者业余东正教学校的风格进行渲染，Shen Yuan对建筑的描绘展示了欧洲耶稣会传教士对学院画家传授的欧洲视角和造型的影响。该专辑在传统中发现了历史先例。与诗歌相关的绘画观点集，包括唐代诗人王维（701--761）的乡村度假诗以及宋朝的《西湖十景》。然而，“ 40景”的直接模型是康熙皇帝（他在1662--1722年间）在沈阳的颐和园“碧树山庄的36景”。乾隆“四十观”字面被文字所包围。其中有雍正皇帝（1723--1735年）的《圆明园志》，它为圆明园的建设提供了指导原则；还有乾隆皇帝的《圆明园志》。 1745年，皇家印刷车间复制了“ 40个观点”的诗和画。该出版物的关键是增加了儒家经典著作，标准历史著作，著名诗人的作品，佛教和道教著作以及传统文学作品的大量引文。与圆明园有关的文字，尤其是《四十意见》的诗画，试图投资具有中国文化意义的花园宫殿，并投射乾隆皇帝作为正义，善良和正当统治者的形象。中国。

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作者
Finlay, John R.;
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作者单位

Yale University.;

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授予单位 Yale University.;
学科 Literature Asian.;Art History.
学位 Ph.D.
年度 2011
页码 515 p.
总页数 515
原文格式 PDF
正文语种 eng
中图分类
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入库时间 2022-08-17 11:45:13

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'40 Views of the Yuanming yuan': Image and Ideology in a Qianlong Imperial Album of Poetry and Paintings.

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