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The patterns of persons: Ideas of agency in twentieth-century American literature (Gertrude Stein, Don DeLillo, Saul Bellow, Ralph Ellison).

机译:人的模式:二十世纪美国文学中的代理思想(格特鲁德·斯坦,唐·德利洛,索尔·贝娄,拉尔夫·埃里森)。

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摘要

This dissertation examines how various aesthetic styles and narrative forms in twentieth-century American literature exhibit competing conceptions of agency, and thus can be regarded as thought experiments illuminating questions of mind, meaning, and personhood. It explores the particular pictures of agency and intentionality manifested in the work of four authors: Gertrude Stein, Don DeLillo, Saul Bellow, and Ralph Ellison. The first half of the dissertation suggests ways in which twentieth-century avant-garde texts display not—as many critics, theorists, and writers themselves have encouraged us to think—the “loss” of persons (authorship, selfhood, animation, etc.), but rather the reconfiguration of personhood into new and varied entities. The convolutions of Stein's early-century portraits, I claim, compel the reader to posit what could be called “sub-personal” systems, where meaning allegedly emerges from the pattern of “inner experiences” recognizable outside our shared linguistic norms. By contrast, DeLillo's late-century fiction suggests a “supra-personal” conception of action, where meaning arises in the pattern of an overarching intentional system such as History or Language, of which persons are functional parts. Both of these models, however, presuppose a third, which I explore in the second half of the dissertation, and which, following Sellars, I refer to as the “manifest image” of a person. In identifying behavior as meaningful, we do not begin by positing invisible micro- or macro-entities, but rather—as Sellars, Wittgenstein, Davidson, and other post-war thinkers argue—by ascribing a narrative of intentional attitudes to particular bodies within a particular environment. It is an interest in this personal level of description that motivates the work of Bellow and Ellison, two mid-century literary figures whose work vividly dramatizes both the temptations and failures of extra-personal ideas of agency. Bellow and Ellison, however, challenge not only Stein and DeLillo, but also the philosophers to whom they bear such a close family resemblance. In attending to the personal level, their work raises a moral dilemma: if we are able to define and describe the patterns of a purposive action, and thus distinguish persons from nonpersons, we moderns are largely without the means to assess the patterns of a purposive life as a whole.
机译:本文研究了二十世纪美国文学中各种审美风格和叙事形式如何表现出相互竞争的代理概念,因此可以看作是阐明思想,意义和人格问题的思想实验。它探讨了四位作者:格特鲁德·斯坦(Gertrude Stein),唐·德利洛(Don DeLillo),索尔·贝娄(Saul Bellow)和拉尔夫·埃里森(Ralph Ellison)的著作中所体现的代理和意向性的特定画面。论文的前半部分提出了二十世纪前卫文本不显示的方式,正如许多批评家,理论家和作家自己所鼓励我们思考的那样,这些方式是人的“失落”(作者,自我,动画等)。 ),而是将人格重构为新的变化的实体。我认为,斯坦因早期肖像的卷积迫使读者提出了所谓的“次个人”系统,据称其中的含义是从我们共同的语言规范之外可识别的“内部体验”模式中出现的。相比之下,DeLillo的百年小说提出了一种“超个人”的行为概念,其中意义以诸如历史或语言之类的总体故意系统的模式出现,其中人是功能的一部分。然而,这两种模型都以第三个为前提,我将在论文的后半部分对此进行探讨,并且在塞拉斯之后,我将其称为一个人的“清单形象”。在将行为视为有意义的过程中,我们并非从假设无形的微观或宏观实体入手,而是如塞勒斯,维特根斯坦,戴维森和其他战后思想家所主张的那样,通过将对特定身体的故意态度的叙述加诸特定的环境。对这种个人描述的兴趣激发了贝洛和埃里森的工作,贝洛和埃里森是本世纪中叶的两个文学人物,他们的作品生动地展现了代理外人观念的诱惑和失败。但是,贝娄和埃里森不仅挑战了斯坦因和德利洛,而且挑战了与他们有着如此相似的家族相似的哲学家。在个人层面上,他们的工作引起了道德上的两难境地:如果我们能够定义和描述目的性行为的模式,从而将人与非人区分开,那么我们现代人基本上就没有办法评估目的性模式。整个生活。

著录项

  • 作者

    Chodat, Robert Andrew.;

  • 作者单位

    Stanford University.;

  • 授予单位 Stanford University.;
  • 学科 Literature American.; Literature Modern.
  • 学位 Ph.D.
  • 年度 2003
  • 页码 328 p.
  • 总页数 328
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 世界文学;
  • 关键词

  • 入库时间 2022-08-17 11:44:56

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