首页> 外文学位 >How to have style: Style discourse in a makeover show and fashion consumption.
【24h】

How to have style: Style discourse in a makeover show and fashion consumption.

机译:如何拥有风格:化妆秀和时尚消费中的风格话语。

获取原文
获取原文并翻译 | 示例

摘要

This dissertation is composed of three essays about style discourse in fashion consumption. For the first chapter I developed a conceptual model to unravel the political process of meaning making between marketers and consumers. In particular, I draw on the concepts in the discourse theory of Laclau and Mouffe to develop the conceptual model to analyze the data of Chapter 2 and 3.;The second chapter explores the mainstream discourse of having personal style with respect to fashion. For this second study, data have been collected from the TLC TV series What Not to Wear, an American reality television show that is based on a British Show of the same name. I chose episodes selected in What Not to Wear: Best of DVD with run time of 10 hours and 45 minutes. Transcripts of these episodes were produced and I analyzed how the notions of self, fashion, and style are intertwined in the discourse of the program. In this program the conflicts between the nominee and fashion consultants are prevalent components and there is some extent of negotiation between the two parties. Therefore, I also focus on this negotiation process and reveal how the hosts of the show win over the nominees.;For the third chapter, I turn to the fans of the show What Not to Wear. Using postings on the web forum of the program I examined the ways fans integrate the cultural discourse of fashion on the program into their lives. Since there was an ample amount of data on the web forum, I sampled only the postings that were related to the episodes used in the second study. The focus of analysis is on the identification process of audience members: who do audience members identify with and how does such identification lead to specific ways of incorporating the fashion knowledge of the program? This study is expected to contribute to better understanding of how fashion reality shows have influence on consumption behaviors of audience members.
机译:本文由三篇关于时尚消费中的风格话语的论文组成。在第一章中,我开发了一个概念模型来阐明营销者和消费者之间的意义创造的政治过程。特别是,我借鉴了拉克劳和穆菲的话语理论中的概念,开发了概念模型来分析第二章和第三章的数据。第二章探讨了关于时尚具有个人风格的主流话语。对于第二项研究,数据是从TLC电视连续剧《不穿什么》(What Not Wear Wear)中收集的,这是一部美国真人秀,基于同名的英国电视节目。我选择了《不穿什么:DVD精选》中的精选剧集,运行时间为10小时45分钟。制作了这些剧集的笔录,我分析了节目的论述中自我,时尚和风格的观念如何交织在一起。在该计划中,被提名人与时装顾问之间的冲突是普遍的组成部分,双方之间存在一定程度的谈判。因此,我也将重点放在谈判过程上,并揭示出节目的主持人如何赢得提名。;第三章,我转向节目《不穿什么》的粉丝。通过在该计划的网络论坛上发布的帖子,我研究了粉丝将节目中时尚的文化话语融入生活的方式。由于网络论坛上有大量数据,因此我仅抽样了与第二项研究中使用的情节相关的帖子。分析的重点在于受众成员的标识过程:受众成员与谁进行标识,并且这种标识如何导致整合节目时尚知识的特定方式?预期该研究将有助于更好地理解时尚现实秀如何影响受众成员的消费行为。

著录项

  • 作者

    Min, Hyun Jeong.;

  • 作者单位

    The University of Utah.;

  • 授予单位 The University of Utah.;
  • 学科 Business Administration Marketing.;Mass Communications.
  • 学位 Ph.D.
  • 年度 2011
  • 页码 122 p.
  • 总页数 122
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:44:54

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号