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A standpoint for critique: The metaphorical status of critique in Kant's 'Critique of Pure Reason'.

机译:批评的立场:在康德的《纯粹理性批评》中,批评的隐喻地位。

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I argue that critique is an epistemologically significant Kantian metaphor for transcendental self-consciousness. This claim is complex, involving two antecedent propositions: (1) there is a Kantian theory of metaphor; (2) critique is such a metaphor.;In Chapter 1, I argue that theorizing about metaphor is too diverse to allow for anything but the arbitrary adoption of a single theory that can be applied to critique. Were I to make such a move, I could then arguably misrepresent Kant. So, in Chapter 2, I turn directly to Kant's third Critique, specifically §49, and argue that Kant's theory of aesthetic ideas is a plausible theory of metaphor --- more plausible than is his theory of symbolically exhibited ideas, which I take to be analogies. The two central features of a Kantian metaphor are that it allows one to adopt a variety of standpoints from which to contemplate or think rational ideas, and that built into the capacity to adopt standpoints for this purpose is the ability to think from both particular and universal points of view --- e.g., to make subjective claims that have universal validity.;Chapter 3 involves the argument that critique is a Kantian metaphor. This argument relies on the success of the main argument in Chapter 2, along with the etymological and socio-historical analyses of critique as adopting standpoints. This argument leads to the claim that critique is a metaphor for transcendental self-consciousness. Since critique as a Kantian metaphor reflects the capacity not only to adopt a variety of standpoints for contemplating the nature and scope of knowledge, but also for attempting to press past epistemological boundaries, we have to find a feature of the mind that is the source of that capacity. On the interpretation of transcendental self-consciousness as the only such feature of the mind, I conclude it to be the source of critique as a Kantian metaphor. From this it follows that critique as a Kantian metaphor has epistemological significance. That is because transcendental self-consciousness must be presupposed in all judgments.
机译:我认为,批判是超验的自我意识的认识论意义上的康德隐喻。这种主张是复杂的,涉及两个先行命题:(1)有一个康德式的隐喻理论; (2)批判就是这样的隐喻。在第一章中,我认为关于隐喻的理论过于多样化,以至于除了允许任意采用一种适用于批判的理论外,其他任何事情都不能接受。如果我做出这样的举动,那么我可能会误导康德。因此,在第二章中,我直接转向康德的第三次批判,特别是第49节,并指出康德的审美观念理论是一种可能的隐喻理论,比他的象征性展示思想理论更为合理。打个比方。康德隐喻的两个主要特征是,它允许人们采用各种观点来思考或思考理性的思想,而为此目的而采用观点的能力则是从特殊和普遍的角度进行思考的能力。观点---例如,提出具有普遍有效性的主观主张。第三章涉及批判是康德隐喻的论点。这种论证依赖于第二章中主要论证的成功,以及对批评的词源学和社会历史分析作为接受观点。这种论点导致了这样一种说法,即批评是超验的自我意识的隐喻。由于作为康德隐喻的批判不仅反映了采取各种观点来思考知识的本质和范围的能力,而且还试图超越过去的认识论界限,所以我们必须找到一种思想特征,这种思想是思想的来源。这种能力。在将超然的自我意识解释为心灵的唯一这种特征时,我认为它是作为康德隐喻的批评之源。由此可见,作为康德隐喻的批评具有认识论的意义。那是因为在所有判断中都必须先验先验的自我意识。

著录项

  • 作者

    Wood, Mia Claudia.;

  • 作者单位

    University of South Carolina.;

  • 授予单位 University of South Carolina.;
  • 学科 Philosophy.
  • 学位 Ph.D.
  • 年度 2011
  • 页码 279 p.
  • 总页数 279
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:44:36

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