This study examined three modern films—Toy Story 3, Alice in Wonderland, and Iron Man 2—to understand the place of Surrealism in contemporary communication. The thesis began with a review of literature regarding Surrealism's revolutionary propensities and its flow into the mainstream. The review's basis was postmodernist philosophy rooted in Roland Barthes's and Umberto Eco's semiotics and Stuart Hall's cultural studies. This underlying philosophy asserted the complexity and mutability of signs and styles, a media role in acceptance and mutation of signs/styles, and endurance of ideas through cultural shifts. Semiotic analysis was crucial methodology in this study as it had been used previously to investigate sign systems in various media forms but never used to determine whether Surrealism was dead or alive. This study discussed and uncovered the presence of Surrealism in modern mass communication but also provided insight regarding the influence of art and revolutionary movements on culture and communication.
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