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Biological Systems Art: Artistic Research into the Algorithms of Living Systems.

机译:生物系统艺术:生命系统算法的艺术研究。

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摘要

This dissertation offers an innovative, practical and theoretical approach to ideation and creation in the emerging contemporary field of biological art. Throughout art's history, materials and technique have played a profound role, both directly and indirectly, in shaping the content and form of a work of art. This dissertation proposes to look at biological art in a similar capacity but also as a system, allowing the narratives of cell differentiation, circadian rhythms, growth and decay, predictability and emergence, evolution, and other biological agencies to become intertwined with the material used and meaning created within the work. Furthermore, there is a relationship created between archetypes and actual life: Metaphor and reality come together in a significant union of science and reverie materially evidenced in a living work of art. This shaping of nature for artistic or scientific purposes is not without its moral and ethical dilemmas and implications. This dissertation will also touch briefly on the contemporary state of engineering biology by examining these issues from the perspective of a practicing artist. Analogies between computational paradigms, biological behaviors and artistic systems will be amplified for the purpose of expanding and reevaluating what it means to be digital. In the author's artistic practice, she experiments both metaphorically and scientifically, with the materials she chooses to work with and by choosing to work with biological materials she am brings to light a possible approach for developing what could be called "behavioral aesthetics" or "the poetry of biological systems". Additionally, the author's specific practical aspects of this theory will be thoroughly described and documented within this dissertation, including detailed analyses of The Search for Luminosity (2005-8), Capacity for (urban eden, human error) (2007-9) and Growth Pattern (2008-10). Finally, a structure for looking at ways of archiving and preserving living bio-art systems will be discussed.
机译:本文为新兴的当代生物艺术领域中的观念和创造提供了一种创新,实用和理论的方法。在整个艺术历史上,材料和技术在塑造艺术品的内容和形式上都发挥了直接和间接的深远作用。本论文建议以相似的角度,但也作为一个系统,来研究生物学,使细胞分化,昼夜节律,生长和衰退,可预测性和出现,进化以及其他生物机构的叙述与所用的材料交织在一起。在工作中创造的意义。此外,原型与实际生活之间存在一种联系:隐喻与现实在科学的重大结合中汇聚在一起,并在活着的艺术品中得到了充分的证明。为了艺术或科学目的对自然的这种塑造并非没有道德和伦理上的困境和暗示。本文将从实践艺术家的角度研究这些问题,从而简要地探讨工程生物学的当代状态。计算范式,生物学行为和艺术系统之间的类比将被放大,以扩展和重新评估数字化的含义。在作者的艺术实践中,她用自己选择的材料进行了隐喻和科学的实验,并通过选择与生物材料一起工作,使她发现了一种可能的方法,以开发所谓的“行为美学”或“行为美学”。生物系统诗歌”。此外,本文还将详细描述和记录作者的具体实践方面,包括对“寻找光度”(2005-8),“能力”(城市伊甸园,人为错误)(2007-9)和“增长”的详细分析。模式(2008-10)。最后,将讨论用于查看存档和保存生物技术系统的方式的结构。

著录项

  • 作者

    Kudla, Allison.;

  • 作者单位

    University of Washington.;

  • 授予单位 University of Washington.;
  • 学科 Biology Botany.;Art History.;Fine Arts.
  • 学位 Ph.D.
  • 年度 2011
  • 页码 92 p.
  • 总页数 92
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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