首页> 外文学位 >Strings, winds, and drums in China during Eastern Zhou and Han (770 B.C.E.--220 A.D.): An archaeological perspective.
【24h】

Strings, winds, and drums in China during Eastern Zhou and Han (770 B.C.E.--220 A.D.): An archaeological perspective.

机译:东周和汉朝(公元前770年-公元220年)中国的弦,风和鼓:考古学的角度。

获取原文
获取原文并翻译 | 示例

摘要

This dissertation is an archaeological study of tombs with wooden musical instruments dating to Eastern Zhou (770--221 BCE) and Han (206 BCE--220 AD). The study looks at the distribution of these instruments in small and large aristocratic tombs, and it considers their role in the social and musical life of aristocrats in early China.; Chapter One contains two sections. Section 1 surveys the various source materials that are available for the study of wooden instruments. Section 2 traces the early history and development of Chinese instruments and the tradition of burying them in tombs.; Chapters Two and Three look at the distribution and arrangement of wooden musical instruments in Eastern Zhou tombs of southeastern China, the only place where they survive. Chapter Two surveys tombs that do not also contain bells and chime stones. These tombs range from the small and modest to the large and wealthy, suggesting that poorer and wealthier elites could own wooden instruments. Chapter Three concentrates on tombs in which wooden instruments accompany bells and chime stones. These tombs are typically large and very wealthy, suggesting that only those with wealth could own musical ensembles with bells and chime stones. Chapters Two and Three also explore the possible instrumentation of real musical ensembles and the role of instruments in ritual and non-ritual activities.; Chapter Four discusses the continuing usage of wooden instruments during Han. By the end of Warring States, real instruments were seldom placed in tombs, indicating a shift in burial practice. However, Han visual representations of them abound in southeastern and northeastern tombs, suggesting that they were distributed in a broad geographic region and that they perhaps even increased in popularity.; The conclusion summarizes the previous chapters by sketching the rise and decline of the burial of instruments and ensembles, and how it might relate to the history of the instruments and ensembles above ground.
机译:本文是对东周(公元前770--221年)和汉族(公元前206--220年)木制乐器墓的考古学研究。该研究考察了这些乐器在大小贵族陵墓中的分布,并考虑了它们在中国早期贵族社会和音乐生活中的作用。第一章分为两节。第1节概述了可用于研究木制乐器的各种原始资料。第二部分追溯了中国乐器的早期历史和发展以及将其埋葬在坟墓中的传统。第二章和第三章介绍了木制乐器在中国东南部唯一生存的地方-东周陵墓中的分布和安排。第二章对不包含钟形和钟形石的坟墓进行了调查。这些坟墓大小不一,从小到大都有,这表明较贫穷和较富裕的精英阶层可以拥有木制乐器。第三章着重于墓葬,木制乐器伴随着铃铛和钟声。这些坟墓通常很大且很富有,表明只有那些富有的人才能拥有带有铃铛和chi石的音乐合奏。第二章和第三章还探讨了可能使用的真实音乐合奏,以及乐器在仪式和非仪式活动中的作用。第四章讨论汉代时期木制乐器的继续使用。到战国末期,很少在墓葬中摆放真正的乐器,这表明葬方式已经发生了变化。然而,汉族的视觉形象在东南和东北墓葬中比比皆是,这表明它们分布在广阔的地理区域中,甚至越来越受欢迎。结论概述了前几章,概述了乐器和合奏葬礼的兴衰,以及它与地上的乐器和合奏史的关系。

著录项

  • 作者

    Furniss, Ingrid Maren.;

  • 作者单位

    Princeton University.;

  • 授予单位 Princeton University.;
  • 学科 Anthropology Archaeology.; Music.; Art History.
  • 学位 Ph.D.
  • 年度 2005
  • 页码 355 p.
  • 总页数 355
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 古人类学;音乐;艺术史、艺术思想史;
  • 关键词

  • 入库时间 2022-08-17 11:43:01

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号