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Rhetorical iconography: Representing rhetoric in the history of the visual arts.

机译:修辞形像:代表视觉艺术史上的修辞。

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摘要

This study reveals, through an extensive archival investigation of rhetorical iconography, the wealth of images available for original examination. The major goal of this work is to map the iconography as a beginning of the investigation into the visual representations of rhetoric.; Chapter 1, the "Introduction," sets up the research indicating the types of images that will be covered and the reason those particular images were chosen.; Chapter 2, "Origins of Rhetorica," begins by investigating the earliest castings of the personification of rhetoric in human form. The chapter concludes by surmising that the earliest attributable origins must be from the oral tradition that gave rise to the Nine Muses and the printed, textual description of Rhetorica from Martianus Capella.; In Chapter 3, "Rhetoric as Woman," representations of rhetoric in the figure of Rhetorica as an allegorical woman who "stands" for rhetoric's power to teach even as it deceives are examined with both purposes having roots in preconceived notions of women's roles.; Chapter 4, "Weaponry of Rhetoric," has two main goals. At first, rhetoric is discussed as a powerful tool that may be wielded as a weapon. For contrast, a brief discussion of less aggressive images takes place. Finally, the chapter addresses the actual, visual presence of weaponry in personifications of Rhetorica.; Chapter 5, "Rhetorica and the Caduceus," is dedicated to the caduceus and its historical relevance to the art of rhetoric. Studying the caduceus and its history provides insight to the sense with which civilizations in different eras valued this deified, so-called wand of rhetoric.; Chapter 6 reaffirms the importance of this iconographic research of rhetoric and the usefulness of a visual approach to rhetoric's history. Applying the visual, iconic approach to studying rhetoric also expands the importance of women to rhetoric's history.; Finally, the appendix contains a list of geographical locations where I know further icons of rhetoric exist. This list is in addition to the images contained in this dissertation and represents images that need to be photographed for cataloguing.
机译:通过对修辞形像的广泛档案调查,这项研究揭示了可用于原始检查的大量图像。这项工作的主要目的是将肖像画映射为对修辞学的视觉表现形式进行研究的开始。第1章“介绍”进行了研究,指出了将要覆盖的图像类型以及选择这些特定图像的原因。第2章“ Rhetorica的起源”从研究最早的人类修辞人格化模型开始。本章的结论是,推测最早的归因必须来自口头传统,该口头传统产生了九个缪斯女神和Martianus Capella对印刷的Rhetorica的文字描述。在第三章“作为女人的修辞学”中,修辞学在修辞者中作为一种寓言女性形象的表述,这种寓言性的女性“主张”修辞学即使在受欺骗的情况下也具有教学的权力,这两个目的都源于人们对女性角色的先入之见。第4章“修辞武器”有两个主要目标。最初,修辞学被认为是可以作为武器使用的强大工具。相比之下,对不太积极的图像进行了简短的讨论。最后,本章介绍了Rhetorica拟人化中武器的实际视觉外观。第5章,“修辞格和众神使者”,专门讨论了杖cad及其与修辞艺术的历史关联。研究杖具及其历史,可以使人们了解不同时代的文明如何看待这种所谓的修辞魔杖。第六章重申了修辞学图像研究的重要性,以及视觉手段对修辞学历史的运用。采用视觉的,标志性的方法来研究修辞学,也扩大了女性在修辞学历史上的重要性。最后,附录包含一个地理位置列表,据我所知,那里还有更多的修辞手法。此列表是本论文中包含的图像的补充,并代表了需要编目进行分类的图像。

著录项

  • 作者

    Enchelmayer, Ernest James.;

  • 作者单位

    Southern Illinois University at Carbondale.;

  • 授予单位 Southern Illinois University at Carbondale.;
  • 学科 Language Rhetoric and Composition.; Speech Communication.; Education History of.
  • 学位 Ph.D.
  • 年度 2005
  • 页码 189 p.
  • 总页数 189
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 语言学;语言学;教育;
  • 关键词

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