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Unleashing the brush: The effect of theory on brushstroke in Northern Song literati and Abstract Expressionist painting.

机译:释放画笔:理论对北宋文人和抽象表现主义绘画中的笔触的影响。

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摘要

Both the scholar-amateur painting of the literati, developed in China during the Northern Song Dynasty (960-1127), and the Abstract Expressionist painters of post-war America initiated an innovative aesthetic approach to painting whose hallmark was self-expression. Although from dissimilar social strata, these painters formed an intellectual elite group who, while disengaging from the prevailing dogma of their time, arrived at a brushwork style that was animated and individualistic, meant to convey not only the spirit and life force of the natural world, but also to express the innate and unique response of the artist's individual character. This similar approach to style and theory reflects the powerful effect of the cerebral arts of philosophy, art theory and criticism on the art production of the individual, in the context of socioeconomic-political culture and history. The study makes use of primary and secondary sources and art reproductions in chapters on art history, theory and criticism in Song Dynasty China and twentieth-century America. Parallels are drawn between art style and theory, in particular that of the Northern Song literati painting and Abstract Expressionism.
机译:北宋(960-1127)在中国发展的文人学者的业余画作,以及战后美国的抽象表现主义画家都提出了一种新颖的审美方法,以自我表现为标志。尽管来自不同的社会阶层,这些画家组成了一个知识分子精英集团,他们脱离了当时的主流教条,但达到了一种充满生气和个人主义的笔触风格,不仅要传达自然世界的精神和生命力。 ,也可以表达艺术家个性的天生和独特的反应。在社会经济政治文化和历史背景下,这种相似的风格和理论方法反映了哲学,艺术理论和批评的大脑艺术对个人艺术生产的强大影响。该研究在中国宋代和二十世纪美国的艺术史,理​​论和批评一章中利用了主要和次要资源以及艺术复制品。艺术风格与理论之间存在着平行,特别是北宋文人画与抽象表现主义之间。

著录项

  • 作者

    Hack, Elizabeth Monks.;

  • 作者单位

    California State University, Dominguez Hills.;

  • 授予单位 California State University, Dominguez Hills.;
  • 学科 Art History.
  • 学位 M.A.
  • 年度 2005
  • 页码 207 p.
  • 总页数 207
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 现代史(1917年~);
  • 关键词

  • 入库时间 2022-08-17 11:42:59
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