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The creative process of J. R. R. Tolkien and the tradition of the magus.

机译:J. R. R. Tolkien的创作过程和玛格斯传奇。

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摘要

As his letters reveal, J. R. R. Tolkien clearly intended to open a way for others to follow after him in the cultivation and literary creation of Other-worlds, not only as a refreshment to the soul, but as something of a natural mode and right of inheritance for each of us as the creative offspring of a Maker.;This hermeneutic exegesis of Tolkien's creative process reveals that he and his works not only hold up a literary mirror to the wisdom and praxis of depth and archetypal psychology but also exemplify the consciousness of a larger "magical" and imaginative tradition that calls for an even more aesthetic and imaginal psychology. This venerable lineage was named the "tradition of the magus" by fifteenth-century neoplatonic artist-scholar Marsilio Ficino. Its ancient principles served to ignite the Florentine Renaissance. Those of the magus lineage embrace the hermeneutic perspective innate to the Heart, which is both a participatory and a transformative threshold. This initiatory path is mythically sponsored by the friendliest god, Hermes. It is the intent of this study to make more visible this tradition and to identify certain forces that harm or censor it.;A further purpose of this theoretical study includes making available Tolkien's thoughts on his literary process, which impart to us a recovery of the threshold of the Heart from which a sense of kinship with all life and creative insight springs. This threshold is an imaginal doorway through which the "middle realm," or what Henry Corbin has called the mundus imaginalis, can be experienced. From this place, the creative process becomes co-creation within the parameters established by the biosphere and the life around us.;Tolkien reminds us of the divinity within, calling us to a deeper personal level of truth and reality. Such a lens allows us to perceive beyond our everyday world to the powers, images, figures, creatures, and stories of faerie and the middle realm which deeply inform our lives. With this perception Tolkien reminds us that we might participate in the ongoing unfolding of the epiphanic living cosmos.
机译:正如他的来信所揭示的那样,托尔金(JRR Tolkien)显然打算为其他人追随他的方式,以在其他世界的修养和文学创作中追随他,这不仅是对灵魂的提神,而且是一种自然方式和继承权托尔金的创作过程的诠释学诠释表明,他和他的作品不仅对文学的深度和原型心理学具有实践意义,而且还体现了托尔金的创作意识。更大的“魔术”和想象力传统,需要更加美学和想象的心理学。这个古老的血统被十五世纪的新柏拉图式画家学者马西里奥·菲奇诺(Marsilio Ficino)称为“玛格斯传统”。它的古老原则激发了佛罗伦萨的复兴。玛格斯血统的血统包含了与生俱来的诠释学观点,这既是参与性的又是变革性的门槛。这个开创性的道路是由神话中最友善的神爱马仕(Hermes)赞助的。这项研究的目的是使这种传统更具可见性,并确定某些损害或审查这种传统的力量。该理论研究的另一个目的包括提供托尔金关于他的文学过程的思想,这使我们可以恢复传统。心灵的门槛,与一切生命和创造性洞察力的亲缘关系由此产生。这个阈值是一个虚构的门口,通过它可以体验“中间境界”或亨利·科宾所说的虚构的虚幻世界。从这个地方开始,创造过程就在生物圈和我们周围的生活所建立的参数范围内成为共同创造。;托尔金让我们想起了其中的神性,使我们进入了更真实的个人真理和现实水平。这样的镜头使我们能够超越日常生活,了解深深地影响我们生活的力量,图像,人物,生物以及仙境和中间境界的故事。托尔金凭着这种认识提醒我们,我们可能会参与主显宇宙的不断发展。

著录项

  • 作者

    Richards, Darielle Teresa.;

  • 作者单位

    Pacifica Graduate Institute.;

  • 授予单位 Pacifica Graduate Institute.;
  • 学科 English literature.;Psychology.
  • 学位 Ph.D.
  • 年度 2005
  • 页码 294 p.
  • 总页数 294
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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