An examination of psychoanalytic and semiotic film theory using Metropolis, Blade Runner and The Matrix A case study.

摘要

Millions of viewers enjoy films every day. Whether we are consciously aware or unconsciously unaware film images elicit emotions within viewers. They do this by providing visual representations of abstract ideas such as conscious and unconscious elements of the human mind. By producing images through the aid of technology (computer generated imagery in post-production) and in-camera techniques (editing and shot selection), along with lighting and set-design, images are enhanced and presented to viewers in a stylistic and realistic manner. By applying psychoanalytic theories such as those espoused by Freud, Lacan and Jung, along with the Semiotic theories of Roland Barthes, readers can explore how images can take on forms of repressed aspects of the unconscious and present very interesting and entertaining readings of classic films such as Metropolis, Blade Runner and The Matrix.