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Aesthetic Representation and Political Economy in the Beat Narrative: Structures of Feeling in the Post-World War II Generation.

机译:节拍叙事中的审美表征和政治经济学:二战后一代的情感结构。

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摘要

This interdisciplinary project, which primarily uses cultural studies methodologies, explores the role of the literary text in relation to both Karl Marx's "material conception of history," as well as Raymond William's idea of a "structure of feeling." Using the novels published by Jack Kerouac and William S. Burroughs in the 1950s (specifically, On the Road, Dharma Bums, and Naked Lunch), the intent is to gain some understanding of the relationship between the historical moment in which these texts were written and the material conditions affecting both culture and society during the immediate post-World War II era. It will focus largely on the intersectionality between aesthetic representation and political economy during the transition from the modern to the post-modern and the industrial to the post-industrial.
机译:这个跨学科项目主要使用文化研究方法,探讨文学文本在卡尔·马克思的“历史的物质概念”以及雷蒙德·威廉姆的“情感结构”观念中的作用。使用杰克·凯鲁亚克(Jack Kerouac)和威廉·S·伯勒斯(William S. Burroughs)在1950年代出版的小说(特别是《路上》,《佛法》和《裸午餐》),目的是使人们对这些文字的历史性时刻之间的关系有所了解。以及在第二次世界大战后不久影响文化和社会的物质条件。从现代到后现代,从工业到后工业的过渡,它将主要关注美学表现与政治经济学之间的交叉。

著录项

  • 作者

    Macdonald, Lindsey.;

  • 作者单位

    Eastern Michigan University.;

  • 授予单位 Eastern Michigan University.;
  • 学科 Literature General.;Economics General.;Political Science General.
  • 学位 M.A.
  • 年度 2012
  • 页码 77 p.
  • 总页数 77
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:42:37

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