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The perambulations of Hadrian: A walk through Hadrian's Villa (Italy).

机译:哈德良(Hadrian)的游览活动:步行穿过哈德良(Hadrian)的别墅(意大利)。

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摘要

Hadrian's Villa is one of the major monuments of the history of Western architecture, yet in spite of its preeminent stature, the accessibility of its site, and its much attested power and allure, available information on the Villa remains frustratingly vague as to the specific configuration of its architectural schema. This is not due to a lack of scholarly attention. The Villa is one of the most studied monuments in archaeology. Yet due in part to the Villa's condition and complexity, it is still not possible to describe with specificity the nature of its design and use, ultimately leaving inconclusive even the most learned speculation about its meaning and significance. Far from exhausting the Villa as a subject for study, recent scholarship has now laid the groundwork for a provisional attempt at a synthesis that explains the workings of the whole. This dissertation proposes hypotheses for geometric planning principles, building uses, and circulation patterns for this complex site, in the process uncovering hidden and unanticipated meanings. The focus is on the retrieval and analysis of the imagery of environmental experience as a whole as a way of increasing the understanding of historic contexts. Plans, diagrams, and analytic views uncover conceptual structures implicit in the evidence yet no longer visible to the visitor of the ruins. The culmination of the study is the recreation of the imagery of Hadrian's Villa communicated by a sequence of images which would be encountered on a walk through the Villa that a contemporary visitor might typically have taken. The Villa was created for movement through space from one evocative cultural statement to another, each unlike the rest, distilling its society and times into a concentrated array of appropriate themes and symbols. This is architecture as gesture, an active element in the mimesis of social structure through symbolic means. Both how the Villa worked and what it meant can only be clarified by a systematic visual analysis that affords a glimpse into the transitory world of experience lived and willed by an extraordinary man during his twenty-one years as emperor of the Roman world nearly twenty centuries ago.
机译:哈德良别墅是西方建筑史上的主要古迹之一,尽管其卓越的身材,其场地的可及性,久经考验的力量和魅力,关于别墅的具体配置,仍然令人沮丧地模糊不清架构图。这不是由于缺乏学术关注。别墅是考古学中研究最多的古迹之一。然而,部分由于别墅的条件和复杂性,仍然无法具体描述其设计和使用的性质,最终甚至就其含义和意义的最广博的猜测都没有定论。近期的学术研究并没有穷尽别墅作为研究的对象,现在已经为临时尝试进行合成奠定了基础,该合成可以解释整体原理。本文提出了这一复杂场所的几何规划原理,建筑用途和流通模式的假设,并在此过程中揭示了隐藏的和意料之外的含义。重点是整体上对环境经验图像的检索和分析,以此作为对历史背景的理解的一种方式。平面图,图表和分析视图揭示了隐含在证据中的概念结构,但废墟游客不再可见。研究的高潮是通过一系列图像传达的哈德良别墅形象的再现,这些图像序列是当代游客通常会在别墅中漫步时遇到的。别墅的创建是为了在空间中从一种令人回味的文化陈述运动到另一种,而其余的则各不相同,从而将其社会和时代提炼成一系列适当主题和符号的集合。这是作为手势的建筑,是通过象征性手段模仿社会结构的活跃元素。别墅的工作方式及其含义只能通过系统的视觉分析来阐明,该分析可以让我们瞥见一个非凡的人在罗马帝国皇帝二十年的二十年中所生活和愿意的短暂经历世界。前。

著录项

  • 作者

    Ytterberg, Michael R.;

  • 作者单位

    University of Pennsylvania.;

  • 授予单位 University of Pennsylvania.;
  • 学科 Architecture.; Anthropology Archaeology.
  • 学位 Ph.D.
  • 年度 2005
  • 页码 494 p.
  • 总页数 494
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 建筑科学;古人类学;
  • 关键词

  • 入库时间 2022-08-17 11:42:23

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