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Apprehending the visible: Logistical histories of war and the Aerial Reconnaissance Archive.

机译：理解可见的内容：战争的后勤历史和空中侦察档案馆。

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Images of war have an amplified efficacy in cultural contexts that privilege the power of the image and the hegemony of vision. This project animates and explores the recent virtual re-publication and political and cultural positioning of the Aerial Reconnaissance Archive (TARA), a collection of five million WWII Allied aerial reconnaissance photographs. Explicating the ethical tension inherent of the exhibition of photographic images and the problematic hinge between the constellations of aesthetics and politics, this research interrogates the concept of the archive to consider embedded and emerging communicative and technological practices that constitute the discursive articulation and cultural transmission of bodies of political and historical knowledge regarding the Second World War. The archive enables a logistics of perception , revealing the tension inherent in the collection: its visible and intended cultural value as a safe, sanitized object for public historical commemoration in a deregulated cultural economy; and its former function as an assembly of miniature, clinical operational diagrams designed for the application of war-time force and destruction. Following this tension, the collection activates a photographic aesthetic of affect, astonishment, and awe. This aesthetic activates dominant historical and memorial versions of war-time heritage and the contribution of aerial reconnaissance photography, which obfuscates and effaces the real terms of visceral, messy war-time devastation and destruction.

机译：战争图像在文化环境中具有增强的功效，这种文化背景使图像的力量和视觉霸权享有特权。该项目将对空中侦察档案馆（TARA）进行近期的虚拟重新发布以及政治和文化定位进行动画处理并进行探索，该档案馆收集了五百万个第二次世界大战同盟的空中侦察照片。揭示摄影图像展览固有的伦理张力以及美学和政治星座之间存在问题的铰链，这项研究询问了档案馆的概念，以考虑构成主体的话语表达和文化传播的嵌入式和新兴通信技术实践关于第二次世界大战的政治和历史知识。档案馆使人们能够进行感知的后勤工作，从而揭示馆藏内在的张力：它的可见和预定的文化价值，是放松管制的文化经济中公共历史纪念活动的安全，卫生的对象；其以前的功能是为战时力量和破坏的应用而设计的微型临床操作图的集合。在这种张力之下，该系列激发了人们对情感，惊讶和敬畏的摄影美学。这种美感激发了战时遗产的主要历史和纪念版本，以及空中侦察摄影的贡献，这掩盖和掩盖了战争时期内在的，混乱的破坏和破坏的真实术语。

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作者
Balan, Neil.;
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Concordia University (Canada).;

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授予单位 Concordia University (Canada).;
学科 History Modern.; Mass Communications.
学位 M.A.
年度 2005
页码 158 p.
总页数 158
原文格式 PDF
正文语种 eng
中图分类现代史（1917年~）;传播理论;
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Apprehending the visible: Logistical histories of war and the Aerial Reconnaissance Archive.

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