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An unexpected reflection: Paul de Lamerie, The Huguenot legacy and the grotesque in eighteenth-century English silver

机译：一个意想不到的反映：保罗·德·拉马里（Paul de Lamerie），雨格诺派的遗产和18世纪英国银器的怪诞

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While silver is customarily viewed as a decorative art form regulated by standardized styles, a closer look reveals that an innovative use of the grotesque was abundantly present in the eighteenth-century Huguenot silversmith's design vocabulary.;Paul de Lamerie (1688-1751), a Huguenot silversmith working in London, distinguished himself by embracing the "otherness" of his Huguenot heritage. Essentially unbound from a strict adherence to either French or English artistic traditions, Lamerie borrowed freely from an international array of both new and established design aesthetics. Lamerie utilized the language of the grotesque through the newly fashionable style of the French rococo, which he inventively merged with a unique blend of Northern European grotesque forms.;Paul de Lamerie fluidly rendered the real and imaginary in unlikely combinations that challenged established realities to respond to the English aristocracy's request for innovative silver pieces to display their wealth, social standing and changing dining habits.

机译：虽然习惯上将银看成是受标准样式规范的装饰艺术形式，但仔细观察可发现，十八世纪休格诺特银匠的设计词汇中大量使用了怪诞的创意。Paulde Lamerie（1688-1751）在伦敦工作的Huguenot银匠，因拥抱Huguenot遗产的“其他”而出名。 Lamerie本质上不受严格遵守法国或英国艺术传统的束缚，自由地借鉴了国际上一系列新颖而又既定的设计美学。 Lamerie通过法国洛可可式的新时尚风格运用了怪诞的语言，他创造性地将北欧怪诞的形式独特地融合了起来； Paul de Lamerie用不太可能的组合流畅地渲染了真实和虚构，挑战了既定现实以做出回应应英国贵族要求的创新银器，以显示其财富，社会地位和不断变化的就餐习惯。

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作者
Williams, Elizabeth Ann.;
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University of Missouri - Kansas City.;

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授予单位 University of Missouri - Kansas City.;
学科 Art history.;Design.
学位 M.A.
年度 2005
页码 125 p.
总页数 125
原文格式 PDF
正文语种 eng
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An unexpected reflection: Paul de Lamerie, The Huguenot legacy and the grotesque in eighteenth-century English silver

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