Icons of oil the photographer-researcher and collaborative practice.

摘要

This thesis is a multi-modal exploration of the photographer-researcher as a methodological opportunity to gain multiple, collaborative and collective perspectives on living in relation to the Alberta oil sands zone of North America. Using participatory-photography with youth, this thesis is one part of a larger project that explores notions of 'community building' in Fort McMurray, Alberta, Canada. Through the camera lenses of the photographer-researcher (myself), and youth-participants this place is seen in relation to the Athabasca Tar Sands and oil industry landscapes in the practices of photographers such as Burtynsky, Essik, Lenz and myself. Fieldwork was conducted relying on cameras and images from my photographic practice and from participants that collaborated in a community-based process to produce representations of place over two years (2009- 2011, whereisfortmcmurray.com). As a form of visual ethnography, youth were asked to respond to the question 'Where is Fort McMurray?' with cameras, a process that generated temporary community formations around practices of image making. This thesis represents a series of collaborative and negotiated engagements from a number of perspectives resulting in a collective body of work in dialogue with relationships of people and the Alberta oil industry zones.