Persistencia de la cosmovision y la concepcion espacial indigenas en imagenes andinas de la religiosidad cristiana: Una descripcion de tres objetos culturales de los siglos XVII y XVIII en Peru

摘要

This dissertation involves an analysis of three Colonial Peruvian texts to argue that the religious images as treated in Guaman Poma de Ayala's Primer nueva coronica y buen gobierno; Juan de Espinosa Medrano's drama El hijo prodigo; and a well-known painting La Virgen del Cerro, reveal the persistence or presence of an Indian worldview; that the Indigenous signs and Inca's distribution of the space have a continued presence within the Andean-Christian religious vision.;This work is anchored in a semiotic analysis of theater and painting; in the perspective of cultural hybridity advanced in the work of Garcia Canclini, Gruzinski and Morana and in the postcolonial perspective of Mignolo and Quijano.