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Judas Hole: Trauma and the Un/making of an American Family.

机译:犹大洞:创伤与美国家庭的组织。

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This dissertation contains three sections: a critical introduction focused on trauma theory; a collection of creative non-fiction essays that constitute a partial memoir, referred to throughout this dissertation as The Work; and a chapter that addresses pedagogical concerns related to teaching creative writing in contemporary academic settings.;The critical introduction discusses how The Work can be read through a trauma theory lens. A secondary focus of the critical introduction relates The Work to the idea that peeping into the lives of gay men in particular and specifically into the forbidden world of gay sexuality combine with the inherent trauma contained in the essays that constitute The Work to provide a framework through which hetero-normative society can view the more challenging pieces in The Work in ways that both entice and repulse the reader.;The pedagogical essay that completes the dissertation focuses on the ongoing trauma that faces the entire field of creative writing as that field struggles to relate itself to English Studies, Composition, and questions about who should or should not be allowed to teach creative writing at the college level. The central argument in the pedagogical chapter is that creative writing must seek to intellectualize and theorize current teaching practices and thereby move those practices away from rewarding publication as the central passport into teaching if creative writing is going to continue to hold the special place within English Studies it currently occupies.;The collection of essays referred to as The Work contains both linear and traditionally narrative pieces of text, and non-linear and therefore disruptive pieces of text. Overall the partial memoir represented in The Work relays the life story of this author from about the age of nine through the present time. The essays combine the early death of the author's parents with images of religion and sexuality that are important to the author with assorted explorations into how the above have influenced the author's attempt to form, nurture and maintain a 'gay' family in defiance Of a hetero-normative society that has continuously worked to either negate or destroy that family.
机译:本论文分为三个部分:重点介绍创伤理论。构成部分回忆录的创造性非小说论文的集合,在本文全文中称为“作品”;以及一章解决了与在当代学术环境中教授创造性写作有关的教学问题。关键性引言探讨了如何通过创伤理论视角来解读《作品》。批判性导言的第二个重点是将《著作》与以下观念联系在一起:即窥视同性恋者的生活,尤其是窥视被禁止的同性恋世界,并结合构成《著作》的论文中固有的创伤,以通过哪个异类规范的社会可以以吸引和排斥读者的方式看待《工作》中更具挑战性的作品。;完成论文的教学论着眼于持续不断的创伤,这一创伤正困扰着创意写作的整个领域,与英语学习,作文以及有关谁应该或不应该允许谁在大学教授创意写作的问题有关。在教学法一章中的中心论点是,创造性写作必须力求使当前的教学实践知识化和理论化,从而使创造性写作要继续在英语学习中占据特殊地位,就必须将这些实践从奖励以出版为中心的护照转移到教学中。 ;被称为“作品”的论文集既包含线性的和传统的叙事性文本,又包含非线性的,因此具有破坏性的文本。总的来说,《工作》中的部分回忆录传达了作者从九岁到现在的生平。这些文章将作者父母的早逝与对作者很重要的宗教和性爱图像相结合,并进行了多种探索,探讨了上述因素如何影响了作者的组织,培养和维持“同性恋”家庭而无视异性恋的企图-不断努力否定或摧毁该家庭的规范社会。

著录项

  • 作者

    McCulley, Thomas Olin.;

  • 作者单位

    Illinois State University.;

  • 授予单位 Illinois State University.;
  • 学科 Language Rhetoric and Composition.;Education Language and Literature.;Literature American.
  • 学位 Ph.D.
  • 年度 2013
  • 页码 298 p.
  • 总页数 298
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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