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Gong Xian (1619--1689): A seventeenth-century Nanjing intellectual and his aesthetic world (China).

机译:龚贤(1619--1689):17世纪的南京知识分子及其审美世界(中国)。

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摘要

This dissertation is a comprehensive study of Gong Xian's art. Its focus is dual: on his endeavors as an intellectual and on his artistic creation. The purpose of the study is to achieve a better understanding of Gong Xian and his works, and especially of his representative paintings, most typically a series of compelling images of mountains and rivers.; Growing up amid the height of elite culture in Nanjing during the late Ming, Gong Xian's encounters with cultural and social elite had a profound impact on his intellectual growth. He regarded himself as an "intellectual painter," and put forward the notion that this was the highest level of all artists. His artistic ideas and aesthetic values were deeply affected by this intellectual development. In this light, Gong Xian's poetry and his painting manuals for students are carefully examined as a way of illuminating his art.; Gong Xian's ambition in art is reflected in his conscious efforts, early in his career, to work through a series of diverse styles in order to improve his painting. His seriousness is manifested both in his decision to take Dong Yuan as his artistic model, and in his unswerving dedication to the orthodox painting tradition as it had been propounded by Dong Qichang. His greatest achievement was, however, to create a highly personal painting that was, though ultimately independent of the past, nonetheless rooted in a profound understanding of the traditions.; Landscape painting, to Gong Xian, was not just a tool for cleansing or comfort; for him, landscape painting served to fulfill his creative ambition, his desire to secure a place in art history, and his sense of the very meaning of life. Gong Xian's art not only stands for the achievement of a seventeenth-century Nanjing intellectual; his aestheticism testifies to a timeless value in the human world.
机译:本文是对龚贤艺术的综合研究。它的重点是双重的:他作为知识分子的努力和他的艺术创作。研究的目的是为了更好地了解龚贤及其作品,尤其是他的代表作,最典型的是一系列引人入胜的山川画作。明末晚期,随着南京精英文化的兴起,龚贤与文化和社会精英的交往对他的知识发展产生了深远的影响。他认为自己是“知识分子画家”,并提出了这是所有艺术家中最高水平的观念。他的艺术思想和审美价值深受这种智力发展的影响。有鉴于此,对龚贤的诗歌和他的学生绘画手册进行了仔细的检查,以此来阐明他的艺术。龚贤在艺术上的野心反映在他职业生涯的早期,他通过一系列多样的样式来改善他的绘画的努力。他的严肃性既体现在他决定以董渊为艺术模型的决定中,又体现在他对董其昌提出的东正教绘画传统的坚定奉献。然而,他最大的成就是创作出一幅个人化的画作,尽管最终与过去无关,但仍然植根于对传统的深刻理解。对于龚贤来说,山水画不仅是清洁或舒适的工具;对他来说,山水画可以满足他的创造野心,他在艺术史上占有一席之地的渴望以及他对生活意义的理解。龚贤的艺术不仅代表着十七世纪南京知识分子的成就,更代表着中国功夫的发展。他的唯美主义证明了人类世界的永恒价值。

著录项

  • 作者

    Wang, Chung-lan.;

  • 作者单位

    Yale University.;

  • 授予单位 Yale University.;
  • 学科 Art History.; Biography.
  • 学位 Ph.D.
  • 年度 2005
  • 页码 526 p.
  • 总页数 526
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 艺术史、艺术思想史;传记;
  • 关键词

  • 入库时间 2022-08-17 11:41:49

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