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Unity in diversity: The limits of multiculturalism and museums in Canada.

机译:多元统一:加拿大多元文化和博物馆的局限性。

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摘要

This thesis considers the representational practices of Canadian museums and their relationship to a particularly Canadian form of multicultural nationalism. The underlying premise of my investigation is that, although multicultural nationalism claims to be—and in many ways is—particularly inclusive of a wide range of differences, it will, like any nationalism, always place restrictions on both the quantity and quality of differences that it will accommodate and on the ways in which it will accommodate them. It will thus encourage a certain form of tolerance, and even celebration of difference, but only within certain limits. These limits, although always open to negotiation, will be defined by the caveat that the inclusion of difference must not challenge the unity, authority or legitimacy of the nation itself, or in this case, of the national state. My argument is that the representational practices of museums are significantly shaped by negotiations over these limits, and that museums in turn both shape and provide legitimation for the limits of cultural differentiation in the broader society.;More specifically, this thesis examines how, through various practices of representation, major Canadian museums not only reflect a nationally delimited multiculturalism but also reproduce a specifically multicultural nationalism in both obvious and not so obvious ways. They reiterate its hegemonic narratives of a benevolently inclusive national state and affirm the relationships that it sets up between the nation and its citizens, and within the nation between its citizens. On the other hand, museums also function as sites in which these narratives and relationships can be challenged and renegotiated. Much like multicultural nationalism itself, museums are always simultaneously both disciplinary and dialogical. On this basis, my work explores the productive capacity of these contradictions. In doing so, it addresses questions about the possibilities and limitations of both museums and multicultural nationalism in relation to their stated intentions towards the betterment of society.;Keywords: Nationalism, Multiculturalism, Museums, Representation.
机译:本文考虑了加拿大博物馆的代表性实践及其与特别是加拿大形式的多元文化民族主义的关系。我进行调查的基本前提是,尽管多元文化民族主义自称且在许多方面都特别包含了广泛的差异,但它将像任何民族主义一样,始终对差异的数量和质量施加限制。它会适应并适应它们的容纳方式。因此,它将鼓励某种形式的宽容,甚至鼓励差异,但仅限于一定范围内。这些限制尽管总是可以进行谈判,但将由以下警告来定义:包容差异绝不能挑战民族本身或民族国家的统一,权威或合法性。我的观点是,博物馆的代表作法是通过就这些限制进行谈判而显着塑造的,而博物馆反过来又为更广泛的社会中的文化差异化限制做出了贡献并为其提供了合法化依据。在代表作法上,加拿大主要博物馆不仅体现了一种民族界定的多元文化主义,而且还以明显和不太明显的方式再现了一种专门的多元文化民族主义。他们重申其关于善意包容性民族国家的霸权叙事,并确认其在民族与公民之间以及在民族内部与公民之间建立的关系。另一方面,博物馆也可以作为挑战和重新谈判这些叙事和关系的场所。就像多元文化民族主义本身一样,博物馆总是同时具有纪律性和对话性。在此基础上,我的工作探索了这些矛盾的生产力。在此过程中,它解决了有关博物馆和多元文化民族主义在陈述其改善社会的意图方面的可能性和局限性的问题。关键词:民族主义,多元文化主义,博物馆,代表制。

著录项

  • 作者

    Gordon-Walker, Caitlin.;

  • 作者单位

    Trent University (Canada).;

  • 授予单位 Trent University (Canada).;
  • 学科 Canadian Studies.;Museology.
  • 学位 Ph.D.
  • 年度 2013
  • 页码 266 p.
  • 总页数 266
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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