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Magic and evocation in the 'Cinq incantations pour flute seule' by Andre Jolivet.

机译:安德烈·乔利维特(Andre Jolivet)创作的“五首长笛独奏曲”中的魔术和唤动。

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摘要

The Cinq incantations pour flute seule by Andre Jolivet are the manifestation of many of the philosophical, spiritual, and musical ideas that occupied the composer early in his career. Somewhat of an auto-didact in philosophical matters, through his studies Jolivet became convinced of the power of music to affect the listener in such a way as to be a means of communication between people, a pathway to self-knowledge and a bridge to spiritual transcendence. He sought to capture the 'magic' that would allow a composition to work on the psyche, and even the physiology, of the listener.; This document will first describe the influences that impacted the development of Jolivet's early style: a fascination with other cultures (especially their music and ritual practices), an interest in ethnology, and studies in spirituality. These three interests resulted in the development of the musical philosophy that became the impetus for the compositions from his early period, 1934--1939, when the Cinq incantations were written.; An in-depth analysis of each incantation follows, concentrating on motivic development and how these motives work to express his extra-musical ideas.; Next, the document examines two specific compositional techniques which most obviously serve to further Jolivet's aims of creating a 'magic spell': repetition and juxtaposition of contrasting elements. Repetition has long been used as a means of reaching altered or ecstatic states; it works in these pieces in a similar way, serving to focus the mind like a chanted prayer or mantra. The juxtaposition of contrasting elements is so effective because it heightens the awareness of the listener while mimicking the constant motion and flux of our own inner lives.; The document concludes that Jolivet is successful in his aim of capturing both the programmatic theme of each incantation (evocations of singular moments in the life of a person and community, such as inter-personal communication, childbirth, daily labor, spirituality and death) and, on a deeper level, accessing the resonance of universal experiences.
机译:安德烈·乔利维特(Andre Jolivet)创作的Cinq咒语倾泻长笛,是作曲家职业生涯早期占据的许多哲学,精神和音乐思想的体现。通过他的研究,约里夫特在哲学问题上表现出一种自发性,乔利维特深信音乐的力量会影响听众,使之成为人与人之间的交流手段,通往自我知识的途径和通往精神世界的桥梁。超越。他试图捕捉“魔术”,使组合能够影响听众的心理甚至生理。本文档将首先描述影响Jolivet早期风格发展的各种影响:对其他文化的迷恋(尤其是他们的音乐和仪式实践),对民族学的兴趣以及对灵性的研究。这三个兴趣促成了音乐哲学的发展,从1934年至1939年他的早期创作Cinq咒语起,便成为了音乐创作的动力。接下来是对每个咒语的深入分析,着重于动机发展以及这些动机如何表达他的音乐外思想。接下来,该文档研究了两种特定的构图技术,这些技术最明显地有助于实现Jolivet创造“魔术”的目标:对比元素的重复和并置。长期以来,重复一直被用作达到改变或狂喜状态的一种手段。它以类似的方式在这些片段中起作用,像念诵的祈祷或咒语一样集中注意力。对比元素的并置之所以如此有效,是因为它在模仿我们自己内心生活的不断运动和变化的同时,提高了听众的意识。该文件得出的结论是,Jolivet成功地抓住了每个咒语的编程主题(唤起个人和社区生活中的独特时刻,例如人际交流,分娩,日常工作,灵性和死亡),并成功实现了这一目标。 ,从更深层次上,获得普遍经验的共鸣。

著录项

  • 作者单位

    University of Cincinnati.;

  • 授予单位 University of Cincinnati.;
  • 学科 Music.
  • 学位 D.M.A.
  • 年度 2005
  • 页码 41 p.
  • 总页数 41
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 音乐;
  • 关键词

  • 入库时间 2022-08-17 11:41:32

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