首页> 外文学位 >From Acadian to American: The literary Americanization of Cajuns (Louisiana, Henry Wadsworth Longfellow, George Washington Cable, Kate Chopin, Ernest Gaines, James Lee Burke, Tim Gautreaux).
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From Acadian to American: The literary Americanization of Cajuns (Louisiana, Henry Wadsworth Longfellow, George Washington Cable, Kate Chopin, Ernest Gaines, James Lee Burke, Tim Gautreaux).

机译:从阿卡迪亚人到美国人:卡琼斯人的文学美国化(路易斯安那州,亨利·沃兹沃思·朗费罗,乔治·华盛顿·凯布尔,凯特·肖邦,欧内斯特·盖恩斯,詹姆斯·李·伯克,蒂姆·高特罗)。

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摘要

My dissertation studies the means by which literature becomes the vehicle not only for the American assimilation of the Cajun ethnic minority, but also for the reclamation of Cajun heritage and pride. The history of Cajun fiction is the history of Acadians becoming Americans, which also made them Cajuns.; The first half of this study examines the literary representation of Cajuns in the work of three nineteenth-century authors. Henry Wadsworth Longfellow intentionally mythologized the Louisiana Acadians in Evangeline (1847) because they represented a non-British, thus more native, American culture. George Washington Cable's representation of the process of converting Cajuns to English language usage in Bonaventure (1888) commented on national unity following the Civil War. Kate Chopin's use of Cajun racial ambiguity (1890s) coded a message about patriarchal controls on literary portrayals of female sexuality.; The second half analyzes the representation of Cajun identity in the work of three twentieth-century writers who work, to varying degrees, to recover a more candid portrait of Cajun identity. Ernest Gaines utilizes the interstitial position of Cajun racial status, somewhere between wealthy white landowners and south Louisiana's African American population, to argue for the necessity of racial cooperation. James Lee Burke portrays Cajun Americanization and the Cajuns' complete loss of Evangeline's innocence to write of national injustice and sin in his Dave Robicheaux detective series (1986--today). Like the earlier writers, Gaines and Burke are not Cajuns. Tim Gautreaux is. His contemporary fiction celebrates traditional cultural ways while illustrating the difficulties facing today's Cajuns as they struggle to maintain pride in their ethnic difference in the midst of American assimilation. His Cajun characters demonstrate how, even while embracing Americanization, Cajuns can maintain their unique ethnic identity.
机译:我的论文研究了文学不仅成为美国对卡琼族裔同化的工具,而且还成为开垦卡琼族遗产和自豪感的手段。 Cajun小说的历史是Acadians成为美国人的历史,也使他们成为Cajuns。这项研究的前半部分考察了十九世纪三位作者的作品中卡约人的文学表现形式。亨利·沃兹沃思·朗费罗(Henry Wadsworth Longfellow)故意在伊万杰琳(Evangeline)选拔路易斯安那州的阿卡迪亚人(A路易斯安那),因为他们代表的是非英国人,因此是美国本土文化。乔治·华盛顿·凯布尔(Bonaventure,1888年)关于将印第安人转换为英语的过程的表述评论了南北战争后的民族团结。凯特·肖邦(Kate Chopin)使用Cajun种族歧义(1890年代)编码了一条信息,内容是关于父权制对女性性文学描写的控制。下半部分分析了二十世纪三位作家的作品中对印第安身份的表征,这些作家在不同程度上致力于寻找更加坦率的印第安身份肖像。欧内斯特·盖恩斯(Ernest Gaines)利用卡琼种族地位的中间位置,在富裕的白人土地所有者与路易斯安那州南部的非裔美国人之间,为种族合作的必要性辩护。詹姆斯·李·伯克(James Lee Burke)在他的戴夫·罗比歇(Dave Robicheaux)侦探系列电影(1986年至今)中描绘了卡文美国化和卡文斯完全丧失了伊万杰琳·伊万杰琳的纯真,写了国家不公正和罪恶。像早期的作家一样,盖恩斯和伯克也不是印第安人。蒂姆·高特罗(Tim Gautreaux)。他的当代小说赞扬了传统的文化方式,同时说明了当今的印第安人在美国同化过程中为保持种族差异而感到自豪时所面临的困难。他的印第安人角色表明,即使在接受美国化的同时,印第安人也可以保持自己独特的种族身份。

著录项

  • 作者

    Hebert-Leiter, Maria.;

  • 作者单位

    The University of North Carolina at Chapel Hill.;

  • 授予单位 The University of North Carolina at Chapel Hill.;
  • 学科 Literature American.
  • 学位 Ph.D.
  • 年度 2005
  • 页码 269 p.
  • 总页数 269
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 I712;
  • 关键词

  • 入库时间 2022-08-17 11:41:14

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