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The classification of style in fine-art painting.

机译:美术绘画中的风格分类。

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The computer science approaches to the classification of painting concentrate on problems of attribution. While this goal is certainly worthy of pursuit, there are other valid tasks related to the classification of painting including the identification of period styles, the description of styles, and the analysis of the relationship between different painting styles. This dissertation proposed and developed a general approach to the classification of style and achieved this goal using a semantically-relevant feature set. The resulting automated painting analysis system style support the following tasks: recognize painting styles, identify key relationships between styles, outline the basis for style proximity, and evaluate and visualize classification results.; The study initially conducted a review of the features currently applied to this domain and implemented these features, supplementing them with commonly used features in image retrieval applications. The study evaluated these features for classification accuracy, speed, storage space, and semantic relevance, and mapped the features considered to formal elements discussed in the domain, including light, line, texture, and color. In particular, the study successfully employed several color features not previously applied to painting classification, such as color autocorrelograms and dynamic spatial chromatic histograms. The dissertation proposed and developed a palette description feature for describing the color content of paintings. In tests, the palette description feature classified style as well as comparable color features.; The study evaluated the features against two databases of paintings using a variety of supervised and unsupervised classification techniques including k-nearest neighbor, hierarchical clustering, self-organizing maps, and multidimensional scaling. In summary, the dissertation proposed and developed a theoretical style center and variance as both an analytical tool and an evaluation technique for classification accuracy. A style description ratio based on the theoretical style center and variance served as a reliable basis for the evaluation of classification results.
机译:绘画分类的计算机科学方法着重于归因问题。虽然这个目标当然值得追求,但还有其他与绘画分类有关的有效任务,包括时期样式的标识,样式的描述以及不同绘画样式之间的关系分析。本文提出并发展了一种样式分类的通用方法,并通过语义相关的特征集实现了这一目标。生成的自动绘画分析系统样式支持以下任务:识别绘画样式,识别样式之间的关键关系,概述样式接近度的基础以及评估和可视化分类结果。该研究最初对当前应用于该领域的功能进行了审查,并实现了这些功能,并在图像检索应用程序中补充了常用功能。这项研究评估了这些功能的分类准确性,速度,存储空间和语义相关性,并将考虑到的功能映射到该领域中讨论的形式元素,包括光,线,纹理和颜色。特别是,这项研究成功地采用了一些以前未应用于绘画分类的颜色特征,例如颜色自相关图和动态空间色直方图。论文提出并开发了一种调色板描述特征来描述绘画的色彩内容。在测试中,调色板描述功能对样式以及可比较的颜色功能进行了分类。该研究使用各种有监督和无监督的分类技术(包括k最近邻,层次聚类,自组织图和多维缩放)针对两个绘画数据库评估了特征。综上所述,本文提出并发展了理论风格中心和方差作为分类精度的分析工具和评价技术。基于理论样式中心和方差的样式描述比率可作为评估分类结果的可靠依据。

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