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A qualitative case study analysis of the current condition of niche market, independent motion picture producers.

机译:定性的案例研究分析了利基市场,独立电影制片人的现状。

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摘要

This dissertation provides researchers with a window into the field of motion picture production from an inside-looking-out viewpoint filmmakers actively working in the field of motion picture production. Through a series of in-depth interviews, producers discuss the complexity of their roles and give first-hand accounts of what it means to be a filmmaker working outside of the corporate studio system of production. The study substantiates Bourdieu's model of the field of cultural production and shows how it is applicable to the study of producers. The study also expands previous research, helping to build a more complete account of the current state of the field of motion picture production.;Producers interviewed for this study include: Ted Hope, producer of over sixty films and selected for this study because of his particular involvement as producer for the film American Splendor; Eric Gitter, who produced 2010's surprise hit Scott Pilgrim vs. the World, a film based on the mildly successful graphic novels created by Bryan O'Malley; Christine Walker, who produced over fifteen films and worked on both American Splendor and Howl, a film based on popular beat poet Allen Ginsberg; Marisa Miller Wolfson, who directed and co-produced the 2010 film Vegucated; Ben Steinbauer, director/producer of Winnebago Man; Bradley Beesley, producer of six films such as Sweethearts of the Prison Rodeo and Okie Noodling; Sarah Price, producer/director for American Movie, Summercamp and others; Tracy Droz Tragos, producer for Be Good, Smile Pretty and Rich Hill; Tim Kirk, Room 237, a film exploring the theories behind Stanley Kubrick's The Shining; Jon Betz, producer for Queen of the Sun and Seed: The Untold Story; Jon Reiss, producer of street art film Bomb It and author of Think Outside the Box Office; Stan Lee, former president and CEO of Marvel Comics and executive producer of Spider-Man, Hulk, and X-Men; and Grant Curtis, the producer for three Spider-Man films directed by Sam Raimi, as well as Raimi's Drag Me to Hell.
机译:本论文为电影摄制者提供了一个从电影内景向内外看的窗口,这些摄制者在电影摄制领域积极开展工作。通过一系列深入的采访,制片人讨论了他们角色的复杂性,并直接说明了在公司工作室制片系统之外工作的电影制片人的意义。该研究证实了布迪厄的文化生产领域模型,并显示了其如何适用于生产者研究。该研究还扩展了以前的研究,有助于更全面地描述电影制作领域的当前状况。接受本研究采访的制片人包括:泰德·霍普(Ted Hope),他制作了60多部电影,并因其出色的表现而入选本研究。作为电影《美国辉煌》的制片人特别参与;埃里克·吉特(Eric Gitter),根据布莱恩·奥马利(Bryan O'Malley)创作的颇有成就的图画小说改编而成,制作了2010年出人意料的热门影片《斯科特·朝圣者对世界》。克里斯汀·沃克(Christine Walker),他制作了15部电影,并在《美国辉煌》和《 How叫》中工作,这部电影是根据著名的击败诗人艾伦·金斯伯格(Allen Ginsberg)改编的。玛丽莎·米勒·沃尔夫森(Marisa Miller Wolfson),导演和合作制作了2010年的电影《素食主义者》;温尼伯哥曼(Winebago Man)导演/制片人本·斯坦鲍尔(Ben Steinbauer);布拉德利·比斯利(Bradley Beesley),制作了六部电影,例如《监狱的甜心》和《冲锋队》。萨拉·普莱斯(Sarah Price),美国电影,夏令营等影片的制片人/导演;特蕾西·德罗兹·特拉戈斯(Tracy Droz Tragos),《善良》,《微笑漂亮》和里奇·希尔(Rich Hill)的制片人;蒂姆·柯克(Tim Kirk),237室,这部电影探讨了史丹利·库布里克(Stanley Kubrick)的电影《闪灵》(The Shining)的理论;乔恩·贝兹(Jon Betz),《太阳与种子女王:不为人知的故事》的制片人; Jon Reiss,街头艺术电影Bomb It的制片人和《票房外的思考》的作者; Stan Lee,Marvel Comics的前总裁兼首席执行官,蜘蛛侠,绿巨人和X战警的执行制片人;以及由萨姆·雷米(Sam Raimi)执导的三部蜘蛛侠电影的制片人格兰特·柯蒂斯(Grant Curtis),以及雷米的《将我拖入地狱》。

著录项

  • 作者

    Cole, Samuel Jason.;

  • 作者单位

    University of Kansas.;

  • 授予单位 University of Kansas.;
  • 学科 Cinema.
  • 学位 Ph.D.
  • 年度 2013
  • 页码 329 p.
  • 总页数 329
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:41:10

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