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Framing Perceptions of Violence against Women in Film: 'Les Silences du Palais' and 'Incendies'.

机译:在电影中构筑对妇女的暴力观念:《沉默的宫殿》和《阴谋》。

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摘要

Framing Perceptions of Violence against Women in Film: Les Silences du Palais and Incendies (Under the direction of Dominique D. Fisher) This thesis focuses on how contemporary Francophone films visually represent violence against women, and explores how sexual violence functions to continue the subjugation and systematic victimization of women. I examine how Moufida Tlatli's Les Silences du Palais and Denis Villeneuve's Incendies approach the subject and portrayal of rape within the greater narrative of the film. The two films, quite different in their premise and setting, find commonality as they both treat and depict rape and family dynamics. As such, my goal is to evaluate how the historical contexts of the films affect the portrayal of the violent act and how it is committed, and I consider questions about the viewer's perceptions of the perpetrators intentions might nuance their reactions to the rape scene, as well as to the film as a whole.
机译:在电影中构筑对妇女的暴力观念:《寂静的宫殿》和《欲望》(在多米尼克·费舍尔的指导下)。本文着眼于当代法语电影如何在视觉上代表对妇女的暴力行为,并探讨性暴力如何继续征服和妇女的系统性受害。我考察了影片的更大叙事中Moufida Tlatli的《寂静的宫殿》(Les Silences du Palais)和Denis Villeneuve的《情缘》(Incendes)如何处理强奸的主题和写照。这两部电影的前提和背景都大相径庭,它们在对待和描绘强奸和家庭动向时都具有共同点。因此,我的目标是评估影片的历史背景如何影响暴力行为的刻画及其实施方式,并考虑观众对肇事者意图的看法可能会影响他们对强奸现场的反应的问题。以及整个电影。

著录项

  • 作者

    Bernard-Hoverstad, Anna.;

  • 作者单位

    The University of North Carolina at Chapel Hill.;

  • 授予单位 The University of North Carolina at Chapel Hill.;
  • 学科 Cinema.;Literature Canadian (French).;Literature Romance.
  • 学位 M.A.
  • 年度 2013
  • 页码 59 p.
  • 总页数 59
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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